Pennsylvania State University
Architecture Professor to be Featured in Upcoming MoMA exhibition
UNIVERSTY PARK, Pa. — Felecia Davis, an associate professor of architecture in the Stuckeman School at Penn State who has gained widespread recognition for her work designing lightweight textiles that change properties in response to their environment, is one of 10 architects, designers and artists who will be featured in an upcoming Museum of Modern Art (MoMA) exhibition that examines contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.
“Reconstructions: Architecture and Blackness in America,” which has been described by organizers as “an investigation into the intersections of architecture, blackness and anti-black racism in the American context,” will run Feb. 20 through the end of May. Its original opening date in October was postponed due to the coronavirus.
The exhibition features a series of 10 newly commissioned works that, according to MoMA will “explore how people have mobilized black cultural spaces, forms and practices as sites of imagination, liberation, resistance and refusal.” It is the fourth iteration of the museum’s “Issues in Contemporary Architecture” series, which was launched in 2010.
Davis, who is the Carey Memorial Early Career Professor in the Arts and director of the Computational Textiles Lab (SOFTLAB) in the Stuckeman Center for Design Computing, is developing textile systems for use in architecture that can sense and respond to the world around them through digital electronic programing and sensors. These systems can also be programmed by using the natural transformative quality of the material itself in connection with environmental cues, such as humidity, temperature and light.
The purpose of the textile systems – or “architextiles,” as they are referred to – is to use the responsiveness and sensual qualities of the material to communicate information or, in other words, to tell a story. An example of these systems are soft walls that elicit emotions from people in a space or to help a person who is not in touch with their emotions be able to communicate to a caretaker, doctor or nurse in a nonverbal way.
The 10 artists, designers and architects featured by MoMA – Emanuel Admassu, Germane Barnes, Sekou Cooke, J. Yolande Daniels, Mario Gooden, Walter Hood, Olalekan Jeyifous, V. Mitch McEwen, Amanda Williams, along with Davis – have been giving virtual lectures together at universities and institutions around the nation on issues surrounding racial injustice and Black history since the fall. “The Black Reconstruction Collective,” as the group is known, will be hosted by the Department of Architecture in partnership with Stuckeman School and WPSU at 6 p.m. on March 24 as part of the school’s Spring Virtual Lecture Series.
More information about the show can be found on the MoMA website.
Auburn University

Associate Professor Margaret Fletcher Named Ann and Batey Gresham Chair of Architecture
Associate Professor and Associate Program Chair of Architecture, Margaret Fletcher has been named the Ann and Batey Gresham Professor of Architecture. Established in 1999 by Nashville architect Batey Gresham (BArch ’57) and his wife Ann, this endowed professorship was designed to provide financial support to outstanding faculty who exhibit a strong commitment to quality instruction, research and service, and who thus “strengthen and enhance the architecture program.”
An innovative educator who consistently brings emerging technologies and methods to her teaching, Fletcher is a practicing architect and artist in addition to her role as faculty at Auburn’s School of Architecture, Planning and Landscape Architecture (APLA). Fletcher is also the author of multiple volumes illustrating her expertise and innovations in graphic communication and representation; in 2016 Fletcher published Constructing the Persuasive Portfolio; The Only Primer You’ll Ever Need, followed by Visual Communication for Architects and Designers: Constructing the Persuasive Presentation in September 2020. Most recently, Architectural Styles: A Visual Guide was released in November 2020.
Boston Architectural College
Spring Lecture Series: Bryan C Lee Jr
The Boston Architectural College invites you to join us for Power + Place, a virtual public lecture by Bryan C. Lee Jr on Wednesday, February 10 at 6:00PM EST.
Power + Place explores the privilege and power structures that have defined injustice in the built environment from America’s inception. We will look at the history of the design justice movement and how the theory of practice continually advocates for the dismantling of power ecosystems that use architecture and design to create injustice throughout the built environment.
Like all institutions, design imposes its power through policies, procedures, and practice and is subject to its own inherited biases. The lasting permanence of our professional decisions requires us to pay particular attention to the injustices that result from our work and to seek design justice wherever possible. Architecture has the power to speak to the language of the people it serves. We as designers are at our best when we are willing to serve the people without power.
The City College of New York
Spring 2021 Sciame Lecture Series
Please join us for the new SCIAME Lecture Series, titled And/Or. This lecture will feature Liza Jessie Peterson and Raphael Sperry, introduced by Elias Beltran, for a discussion of art and architecture.
Free and open to the public – Please register for this Zoom event here.
In this online series, curators Viren Brahmbhatt, Ali C. Höcek, and Martin Stigsgaard argue that the traditional format of a single lecturer speaking to an audience sets up a binary opposite all of its own — speaker/listener, which simply reinforces the power structure between those who “possess” knowledge and those who “consume” it. In its place, the &/Or Online Dialogues will present two speakers in conversation with each other, moderated by a third. The series features prominent artists, activists, and architects from across the globe who will discuss their work and the unique political and environmental challenges they confront.
Raphael Sperry is an architect, sustainable building consultant, and human rights advocate. As President of Architects / Designers / Planners for Social Responsibility from 2004-2020, he led ADPSR’s national campaign to ban the design of spaces that violate human rights. He promotes restorative alternatives to incarceration as a board member of Designing Justice + Designing Spaces. He is an Associate at Arup, where he consults on net positive design for buildings that regenerate energy, water, and natural systems and helps shape Arup’s efforts to incorporate human rights and the UN Sustainable Development Goals into corporate policies and building projects.
Liza Jessie Peterson is an artivist; actress, playwright, poet, author, and youth advocate who has been steadfast in her commitment to incarcerated populations both professionally and artistically for over two decades. Her critically acclaimed one-woman show, The Peculiar Patriot, was featured at the 2020 Democratic National Convention and was recently recorded for Audible. Her play will also be featured at The Pulitzer Center’s fall 2020 program and a documentary is in production about her performance at the notorious Angola Penitentiary where she performed the play in front of 700 inmates and was live-streamed throughout the entire prison. The Peculiar Patriot premiered at the National Black Theater in Harlem, followed by Arts Emerson (Boston) and Woolly Mammoth (D.C.), and was nominated for a Drama Desk award in 2019. The Peculiar Patriot received a generous grant from Agnes Gund’s prestigious Art for Justice Fund. During the early years of this play’s uncanny trajectory and true to her artivist nature, Liza performed The Peculiar Patriot in over 35 penitentiaries across the country in a self-funded prison tour spanning the course of four years.
Liza is the author of ALL DAY; A Year of Love and Survival Teaching Incarcerated Kids at Rikers Island (Hachette publishing). She was featured in Ava DuVernay’s Emmy award-winning documentary, The 13th, and was a consultant on Bill Moyers documentary Rikers (PBS)
Also known for her exceptional poetic skills, Liza began her poetry career at the Nuyorican Poets Café and was a vital member of the enclave of notable poets that inspired Russell Simmons to bring spoken word to HBO where Liza appeared on two episodes of Def Poetry.
In addition to The Peculiar Patriot Liza has written several other plays that received development support from The Lark, Syracuse Stage, The McCarter Theater, Manhattan Theater Club, New York Theater Workshop, and The Atlantic Theater Company.
As an actress Liza appeared in several feature films: Love the Hard Way (co-starring with Pam Grier and Adrien Brody) Spike Lee’s Bamboozled, K. Shalini’s A Drop of Life, and Jamie Catto’s What About Me. She can be seen in an upcoming web series, A Luv Tale, directed by Kay Oyegun (This is Us, Blackish).
Liza is currently writing a television series based on her book ALL DAY, about her teaching experience at Rikers Island, as well as another series based on her stage play SistahGurls and the Squirrel which tackles state-sanctioned violence against Black bodies and the second amendment right to bear arms.
Elias Beltran was a case manager at the Center for Community Alternatives, where he worked with justice-involved youth, former Director of an HIV/AIDS awareness program, and certified Peer Counselor, Elias graduated with a BA in Literature and the Humanities in 2017 from the Bard Prison Initiative (BPI). At Bard, his Senior Project looked at trauma, dispossession, and reclamation in the work of Junot Díaz, Amy Tan, and Khaled Hosseini. Interested in Caribbean literature, Chinese migration to the Caribbean, postcolonialism, and empire, he continues to study Mandarin Chinese and is now in the second year of a Ph.D. in Comparative Literature at Cornell University where he is also a Spanish Language Instructor. At 16, Elías was sentenced to a term of 30-years-to-Life in prison. He served 29½ years of that term.
Auburn University
Professor and Alumna named President-Elect of NAAB
Rebecca O’Neal, associate professor of architecture/interior architecture and APLA alumna, has been named President-Elect of the National Architectural Accreditation Board (NAAB). O’Neal has served on the APLA faculty since 1999, and previously collaborated with NAAB as member of an accreditation review team comprised of educators, practitioners, regulators, and students. Read more here.
University of California, Berkeley
UC Berkeley’s Summer Programs Reinvent the Studio for the Pandemic Era
UC Berkeley’s top-ranked College of Environmental Design is offering a suite of virtual summer programs incorporating architecture, landscape architecture, city planning and urban design, crafted for participants of all ages and backgrounds.
In the spring of 2020, the College was compelled to ask, “Can a program with studio at its core be taught in a virtual space?” Faculty and participants in the summer 2020 intensive courses answered with a resounding YES, and their work speaks for itself.
We hope you’ll join us in 2021 with questions of your own, and you, too, will have an impactful experience exploring answers with like-minded classmates from around the world.
SUMMER [IN]STITUTE: [IN]ARCH ADV
July 6-August 13, 2021
Rising college Juniors/Seniors, Post-Baccalaureates
Experience in Architecture Required
[IN]ARCH ADV participants come from architecture programs across the globe to spend six weeks strengthening their design portfolios, connecting to faculty and practitioners, advancing their conceptual ideas, building an international network of like-minded peers, and learning to see their work, their practice and their world in clearer focus.
Disc* (Design & Innovation for Sustainable Cities)
July 6-August 6, 2021
Currently Enrolled College Students
Architecture Experience Welcome but not required
Disc is an intensive five week summer program that takes an interdisciplinary and multi-scalar approach to design and analysis in the urban environment, incorporating elements of architecture, landscape architecture, digital fabrication, urban design and city planning into its curriculum. Disc* participants engage in the discourses of urban innovation, acquiring the tools and expertise necessary to craft design-based solutions that meet the increasingly urgent challenges of global urbanization.
July 2-August 10, 2021
College Seniors and Post-Baccalaureates
No Architecture Experience Required
International Application Deadline: Friday, May 11
Domestic Application Deadline: Tuesday, May 15
[IN]ARCH is an intensive program designed to immerse students in the foundational theories and practices of architectural design. The program is structured as an introduction to studio culture and architectural discourse, and serves as a vehicle for further academic pursuits in the field. [IN]ARCH participants find themselves making, representing, discussing and thinking in new ways, and encounter faculty enthusiastic about introducing new students to this demanding and rewarding field.
July 6-August 6, 2021
High School Students
No Architecture Experience Required
embARC brings together high school students from diverse backgrounds to explore architecture, urban design and sustainable city planning through integrated components: an Architecture + Urban Design Studio, a Sustainable Planning Workshop, a Digital Design Workshop, an Environmental Design Conversations Series, and a Tools + Materials Workshop.
July 6-August 13, 2021
College Seniors and Post-Baccalaureates
No Architecture Experience Required
The [IN]LAND program introduces participants to the practice of landscape architecture as an active inquiry. Students will be introduced to the fundamentals of landscape architectural practice through the process of making and experimentation as research into site potentials. Initial ideas will be developed and transformed through rigorous investigation in a collaborative studio environment. Students will develop a landscape vocabulary that engages with the concepts of ecology, public space, sustainability and multiple scales of design.
Learn more about CED’s Summer Programs, or APPLY NOW.
The City College of New York
Spring 2021 Sciame Lecture Series – February 4, 2021 at 5:30pm 9 (ET)
Please join us for the new SCIAME Lecture Series, &/Or. Mel Chin and Ronald Rael will discuss art and architecture, introduced and moderated by Max Wolf.
Free and open to the public – Please register for this Zoom event here.
In this online series, curators Viren Brahmbhatt, Ali C. Höcek, and Martin Stigsgaard argue that the traditional format of a single lecturer speaking to an audience sets up a binary opposite all of its own — speaker/listener, which simply reinforces the power structure between those who “possess” knowledge and those who “consume” it. In its place, the &/Or Online Dialogues will present two speakers in conversation with each other, moderated by a third. The series features prominent artists, activists, and architects from across the globe who will discuss their work and the unique political and environmental challenges they confront.
Mel Chin conveys complex ideas and themes through a mutative strategy, working alone or employing different disciplines and people, compelled by researched concept. From such critical means, actions, films, to objects are realized, as necessary. He is based in North Carolina.
Ronald Rael is the Eva Li Memorial Chair in Architecture and Director of the Master of Architecture program with a joint appointment in the Department of Architecture, in the College of Environmental Design, and the Department of Art Practice at the University of California, Berkeley.
Max Wolf has worked as an independent curator, and art dealer for over 2 decades. Most recently he held the position as director and chief curator of Red Bull Arts — a non-commercial contemporary art program, with locations in NYC and Detroit, which he founded in 2013 with the aim of redefining the role of corporate patronage in the arts.