Penn State

Architecture lab’s computational textiles work featured in upcoming exhibition

 

UNIVERSITY PARK, Pa. — Work by Felecia Davis, associate professor of architecture in the Stuckeman School, and her team of Computational Textiles Lab (SOFTLAB) researchers in the Stuckeman Center for Design Computing at Penn State that explores Black culture, its relationship to technology and concepts of translation in architectural design will be featured in a new exhibition in downtown Montreal. Titled “Current Textile Design | Textile Design Now,” the exhibit opens Nov. 29 and runs through Feb. 11, 2024, at the Design Center of the University of Quebec at Montreal.

The research that will be on display is the result of the SOFTLAB team’s “Dreadlock Series” project, which focuses on locking or dreadlock hairstyles in Black culture. The process of braiding hair is translated into computer code that can be used to develop a material or fabric – textiles – that can create or enhance architectural spaces.

“SOFTLAB will show two architectural models from the Dreadlock Series where we look at the potentials of felted and interlocked fibers for use in building textile tension structures. These are called ‘Pop-Up Roses,’” said Davis.

Ian Danner, a SOFTLAB graduate student researcher from the College of Arts and Architecture’s School of Visual Arts, created the models on a hand-knitting machine using the knitted wool isocord.

“These started out as flat textiles using what we call African fractals or a Fibonacci series to make the rose,” explained Davis. “I then suggested that these roses could be popped up to be used as tension structures or with a bio-based resin to make an architectural structure that can be shaped using gravity or tension.”

Hiranshi Patel, an architecture master’s student in the Stuckeman School and SOFTLAB researcher, helped develop the tensioning stands that can be used to apply different tensions to the models.

Aysan Jafarzadeh, a recent master of architecture graduate and a graduate researcher with SOFTLAB, provided graphic design and code development support for the work.

The SOFTLAB team’s Dreadlock Series work was also in an exhibition at the one-day Material Variance Symposium on Sept. 19 at the Columbia University Graduate School of Architecture, Planning and Preservation in New York. The event featured material design researchers, building scientists and artists who discussed the variability of raw, earth- and fiber-based building materials and how their life cycle, supply chains, fabrication techniques and policies can be improved moving forward.

The Dreadlock Series project is supported by the Graham Foundation for Advanced Studies in the Fine Arts and the College of Arts and Architecture’s Research and Creative Activity Grant Program in Racial Justice, Anti-Discrimination and Democratic Practices, and the Stuckeman Center for Design Computing. The project was done in collaboration with Sheryl Tucker de Vazquez, architect and associate professor at the University of Houston; William D. Williams, architect and the Smith Visiting Professor at Rice University School of Architecture; and Marcella del Signore, architect and associate professor and director of the Master of Science in Architecture, Urban and Regional Design program at the New York Institute of Technology, School of Architecture and Design.

University of Nebraska-Lincoln

Seventh Year in a Row, SARA National Recognizes Student Excellence

 

Twenty-six students from the University of Nebraska-Lincoln’s College of Architecture have been honored with awards from the Society of American Registered Architects (SARA), National Design Awards 2023 program. Of the thirteen student group submissions selected by the SARA jury for award, UNL received four of the honors. This is the seventh year UNL students have gained significant recognition by this national organization.

Project Descriptions:

Jampe Gergen, Luryn Hendrickson, Haley Herman and Caleb Mohnike earned an Honor Award for their project “ep(ICE)ntric.” This project originated from Brian Kelly’s fourth year collaborate studio. Located on the site of an abandoned Atlas-F missile silo built in the 1960s, this project called for the creation of a research facility for UNL’s Antarctic ice drilling team to build and test their equipment while also providing educational exhibition spaces for Cold War and Nebraska history displays.

Lubna Al Sebaie, I-Chen Chen, Landon Healy, Sean Kelly and Aly Timmerman from Darin Hanigan and Vanessa Schutte’s fourth year collaborate studio received an Honor Award for their project titled “Ponderosa Elementary School.” Ponderosa Elementary is a K-5 school that incorporates biophilic design principles, connecting students with nature and the outdoors while serving the community through integrated facilities and dynamic outdoor learning opportunities.

Another honor award was given to Al Mundhir Sultan Saif Al Mahruqi, Essa Alouisi, John Andersen, Jarod Bengtson, Payton Betzold, Ethan Boerner, Mason Burress, Brendan Colford, Thomas Gerdes, Audrey Huse, Dariya Krestovsky, Xander Parker, Natasha Pierce, Cameron Spengler, Eden Vanarsdall and Alyssa Villarreal for their design build project “Omaha Mobile Stage” created in Jeffrey L Day’s fourth year FACT collaborate studio. Omaha Mobile Stage is a creative placemaking project to design and make a portable stage to serve as a cultural and economic catalyst in public spaces and main streets throughout the Omaha metropolitan area.

Additionally, Audrey Huse and Kathleen O’Gara earned a Merit Award for their submission “The Sheldon ARC” which was design in Beau Johnson’s 411 integrate studio. The Sheldon ARC is an addition to the Sheldon Museum of Art on the campus of the University of Nebraska – Lincoln that strengthens the museum’s connection to both the university and the local community.

“The continuous recognition of our students’ work by SARA National over the past seven years is a testament to the exceptional work created by our students and the unwavering dedication of our faculty,” said Architecture Program Director David Karle. “It is truly gratifying to witness our students’ exceptional talents being celebrated on a national scale.”

Founded on November 9, 1956, by Wilfred J. Gregson, the Society of American Registered Architects celebrates design excellence in architecture and design through their annual National Design Awards program which attracts entries from across the country and around the world from individuals, firms and students of architecture and allied disciplines.

Penn State

Work by Stuckeman professors featured in Carnegie Museum of Art exhibition

 

UNIVERSITY PARK, Pa. — A project created by two Stuckeman School architecture professors in the College of Arts and Architecture that exposes how coal mine fires affect the environment is featured in the “Unsettling Matter, Gaining Ground” exhibit at the Carnegie Museum of Art’s Heinz Architectural Center in Pittsburgh through Jan. 7, 2024.

Pep Avilés, associate professor of architecture and the Stuckeman Career Development Professor in Design, and Laia Celma,  assistant teaching professor of architecture, created their piece titled “Dystopian Carousel” for the exhibition. The piece focuses on the continued emissions caused by mine fires and their devastating effects on the environment, communities and the economy.

Avilés and Celma’s work consists of a large piece of anthracite, which sits atop a turntable that completes one rotation per minute. Atop the piece of coal are a series of props that reflect the data (gas emissions, soil temperature, microbial life, etc.) and the landscapes that coal extraction has left behind. On the wall near the anthracite is a photograph of the coal in motion on the turntable as a mise en abyme, which is a formal technique in Western art of placing a small copy of an image inside a larger one.

“Collectively, the [props] perform as a dystopian carousel of the culture of extraction,” explained Avilés. “The photograph presents the same piece in motion, blurred against a stream of smoke that appears to the spectator as frozen.”

The piece is to represent the fact that emissions from mine fires even from long ago continue to impact the environment today and will continue to do so into the future.

“It doesn’t matter that we keep collecting more data about those past events, the emissions they caused are the only thing that remains constant,” said Avilés.

According to the exhibition website, the show brings together historical artworks from the Carnegie collection along with contemporary projects and new work to “tell the complex stories of how fossil fuel economies have been produced and upheld, whom they have excluded and left vulnerable, and how they have shaped and disrupted cities, communities and ecologies.”

The Carnegie Museum held a public program Oct. 5-6 where artists and guests from Carnegie Mellon University, Rice University, the Massachusetts Institute of Technology and other organizations, such as the Center for Democratic and Environmental Rights, gave presentations on the topics featured in the exhibit with gallery walkthroughs, panel discussions, talks and a musical performance.

Avilés and Celma spoke with three other artists and researchers on a panel moderated by the exhibit’s co-organizers Ala Tannir and Theodossis Issaias.

“In all stages of the project, we wanted to make visible what is invisible,” Celma said. “There are things happening below ground in the mines that we translate as data so it’s visible above [the ground.]”

Avilés and Celma collaborated previously on works for the Oslo Architecture Triennale and the Rouse Gallery in the Stuckeman Family Building on the University Park campus.

University of Southern California

USC Graduate Architecture Virtual Information Session

 

At the USC School of Architecture, we are committed to reimagining the built environment’s past, present, and future through impactful scholarly research that engages communities and fosters social impact. With a focus on leveraging emergent design technologies for sustainable and ecological construction practices, we aim to revolutionize the AEC industry while envisioning a more inclusive and resilient future for all.

Join us at our upcoming virtual information session at 5 pm on November 15th, 2023  to learn more about our programs and the exciting possibilities they offer.  

https://usc.zoom.us/meeting/register/tJUkd-qtpjIsGNHvJnD4BPpFV3Cdphcn3yWU

Explore our range of graduate and post-professional programs tailored to different educational backgrounds, including:

The USC School of Architecture in Los Angeles cultivates creative intelligence and champions spatial and environmental justice through innovative design practices that challenge traditional norms in the built environment. Our program focuses on providing a comprehensive understanding of contemporary architectural practices, tackling pressing issues such as the housing crisis, environmental challenges, spatial justice, and technological advancements. With a diverse faculty boasting extensive design expertise, we are committed to pushing the boundaries of design practice, research, and discourse. Get a glimpse inside the USC Graduate Architecture programs here: https://www.youtube.com/watch?v=WxdnxUp7-C8

Immerse yourself in the dynamic and inspiring environment of Los Angeles, a global city that serves as a wellspring of inspiration, creativity, and opportunity for aspiring architects. With some of the most significant landmark architecture in the world, and over 1000 architecture firms, including industry giants such as Thom Mayne (Morphosis), Frank Gehry (Gehry & Partners), Mark Lee (JohnstonMarkLee), and Mark Rios (RIOS) – all esteemed alumni of our program – Los Angeles is a thriving urban laboratory for students to explore and understand the complexities of the contemporary built environment.

Our faculty, recognized as global design leaders, have collectively designed and built over 3,500 innovative projects worldwide, garnering over 900 design honors at various levels. Through visionary and speculative design ideas disseminated across 2100 exhibitions and lectures at premier academic and cultural institutions globally, we are actively shaping the future of architecture and design. Check out our faculty highlight reel here: https://www.youtube.com/watch?v=shNCMKPbHEg

For an inside look at our vibrant community and the exceptional work of our students and faculty, follow our USC Grad Architecture Instagram account: 

https://www.instagram.com/uscgradarchitecture/

Penn State

Stuckeman School’s fall lecture series concludes with architect and educator

 

UNIVERSITY PARK, Pa. — The College of Arts and Architecture’s Stuckeman School at Penn State will host J. Meejin Yoon, co-founder of Höweler + Yoon Architecture and the Gale and Ira Drukier Dean of Cornell University’s College of Architecture, Art and Planning, at 4:30 p.m. on Oct. 25 as the final guest this semester in the school’s 2023-24 Lecture + Exhibit Series. Co-hosted by the Department of Architecture, the lecture will be held in the Stuckeman Family Building Jury Space and via Zoom.

In her lecture, titled “What’s the Matter,” Yoon will present works using the phrase “What’s the Matter?” as a framework to locate contemporary architecture and design in a broader cultural context. She will focus on research, environment and institutions, delving into what matters, and discussing how architects and creative practitioners can understand, enable and create.

“The term “matter” references not physical substance but rather the essence of something — specifically, the essence of the problems facing us today,” Yoon said. “Put another way: what are our values, beliefs and aspirations? As architects, artists and designers, how do we materialize what we value? Or, how does what we build convey our values? And, how do we build what matters?”

In practice, Yoon investigates intersections between architecture, technology and public space  with Höweler + Yoon. The firm has earned numerous awards, including the Best of Design Award in the Architect’s Newspaper, the Association for Computer Aided Design in Architecture’s Design Excellence Award, and Architect Magazine’s Progressive Architecture Award, among other honors.

Catholic University of America

Architecture as Freedom: An Exhibition on BRAC Regional Offices in Bangladesh

 

We are very pleased to announce the exhibition, Architecture as Freedom, featuring the design of five out of eight regional offices across rural Bangladesh constructed for BRAC, the world’s largest non-governmental organization. These projects are architectural prototypes that narrate how the language of architecture can symbolize the agency of poor communities and their pursuit of social justice. Curated by professor and architect Adnan Zillur Morshed, the exhibition will be inaugurated on Wednesday, October 18, 2023, and will run through December 20, 2023. It will take place at the District Architecture Center, located at 421 7th Street NW, Washington D.C. The venue is easily accessible by the DC Metro, either through the Red Line (Gallery-Place/Chinatown stop) or the Yellow and Green Lines (Archives-Navy Memorial stop).

Architecture as Freedom will feature exhibits that showcase our design process, the social and environmental conditions that influenced it, and the outcome, all framed through the broader context of BRAC’s development initiatives. Built with locally sourced bricks, local construction techniques, and local labor, the new BRAC office buildings are a humble architectural effort to respond to the changing nature of rural Bangladesh and treat the non-governmental organization’s beneficiaries with the human dignity they deserve.

Penn State

Stuckeman symposium to highlight issues surrounding displacement in architecture

 

UNIVERSITY PARK, Pa. — The College of Arts and Architecture’s Stuckeman School at Penn State will host a research symposium on Nov. 13-14 to examine the relationship between refugee displacement, climate and architecture. Titled “(Dis)Place: From tent camps to the future of urbanism – The architecture of migration,” the event is presented by the Stuckeman School’s three research centers: Ecology plus Design, Hamer Center for Community Design, and the Stuckeman Center for Design Computing.

Registration for the event, which will be held in the Stuckeman Family Building Jury Space and via Zoom, is free.

“Our goal is to bring together scholars and experts from different disciplines to tackle this multifaceted problem,” said Nasim Motelabi, the symposium chair and a doctoral candidate in informatics within the College of Information Sciences and Technology. “It’s about urban planning, it’s about refugee policies, and it’s about climate change and climate action.”

According to the European Commission, 108.4 million people were displaced worldwide by the end of 2022.

The symposium invites Penn State researchers across various disciplines to join the conversation and assist in setting a research agenda to tackle the issues at hand. Penn State students are invited to learn more about the research and learn about ongoing trends while engaging with academic and industry experts on the topic.

Motelabi, who earned her master’s degree in architecture from the Stuckeman School, conducts research on humanitarian informatics and the implications of technologies in the broader context of forced migration and refugees’ lifecycles. She also considers the countries receiving refugees and their management policies.

“The Afghan situation in 2021 and the Ukraine invasion in 2022 really triggered Penn State researchers to pursue this topic,” Motelabi said. “How are urban designers or architects helping refugees in those countries that are displaced in urban areas? What is the toll that has on infrastructure and environment, and how can we actually plan ahead of time for these situations?”

The event will open at 9 a.m. on Nov. 13 with featured guest speakers and panel discussions in three sessions starting. Featured speakers include: Theo Issaias, faculty member at the Carnegie Mellon University School of Architecture and associate curator of the Heinz Architectural Center at the Carnegie Museum of Art; Achilles Kallergis, assistant professor at the New School for Social Justice and director of the Project on Cities and Migration at the Zolberg Institute on Migration and Mobility; Robert Beyer, data and research analyst at the International Organization for Migration; and Simone Sandholz, head of the Urban Futures and Sustainability Transformation Programme at United Nations University.

The second day of the event will be dedicated to a private workshop for invited researchers to start thinking about the next steps as to how they can start collaborating on this topic with an interdisciplinary approach.

“This is where our three centers come together to really showcase their work, and then try to stimulate collaboration,” Chingwen Cheng, director of the Stuckeman School, said about the symposium. “This will be a space to stimulate further conversations and innovative ideas moving forward to learn from each other and to explore what the next opportunities can be together.”

Learn more and register for the symposium via the event website.

Penn State

Penn State-led sustainable building materials research showcased in exhibition

 

UNIVERSITY PARK, Pa. — An interdisciplinary research project led by Penn State Stuckeman School researchers and architecture faculty members Felecia Davis and Benay Gürsoy that explores the use of biomaterials and knitted textiles as sustainable building materials is featured in the “Knitting Beyond the Body” exhibition at the Kent State University Museum from Sept. 29 through Aug. 1, 2024.

Their collaborative project, titled “MycoKnit,”uses mycelium – which is the root of fungi – and knitted fabric as lightweight and biodegradable composite structures that together make a strong and lightweight building material. Ali Ghazvinian and Farzaneh Oghazian, who both recently graduated from Penn State with doctoral degrees in architecture, are co-leads on the project. Ghazvinian is now an assistant professor in the Huckabee College of Architecture at Texas Tech University and Oghazian holds the same position in the College of Art and Design at Louisiana State University.

Davis and Gürsoy are both researchers in the Stuckeman School’s Stuckeman Center for Design Computing (SCDC) in the College of Arts and Architecture. Davis directs the Computational Textiles Lab (SOFTLAB), which looks at how lightweight and soft computational materials and computational textiles are made and how they can be applied in architecture, furnishings and clothing. As director of the Form and Matter Lab (ForMat Lab), Gürsoy’s team explores the relationship between matter and form mediated through the use of digital technologies. Current research in the lab includes work on adaptive digital fabrication, and the design and sustainable fabrication of mycelium-based building parts and structures.

The MycoKnit project is an evolution of both Davis and Gürsoy’s advances in their respective labs to explore the use of knitted textiles as a framework and reinforcement system to develop fiber composite mycelium-based architectural structures.

“Mycelium-based composites and knitted textiles made of natural yarns are both organic systems, and when integrated, can offer a sustainable and biodegradable material and structural system that is strong in both tension and compression,” said Gürsoy, assistant professor of architecture. “By exploring the interrelated behavior of mycelium-based composites and knitted textiles where the knit is used as a growing base for mycelium materials, our goal is to enable a lightweight and biodegradable building material and structural system.”

For the Kent State exhibition, the team is showcasing a MycoKnit gridshell structure that integrates bending active elements comprised of fiberglass tent poles and industrial knit panels that were fabricated on a Shima Seiki Computerized Flatbed Machine.

“We added living mycelium-based mixtures into the panels that were shaped by the gridshell and gravitational forces,” explained Davis, associate professor of architecture. “Our first attempt at this resulted in some mold growing but we are in the process of reloading this gridshell system with new mycelium-based mixtures and will experiment with some solutions to prevent mold growth.”

The textiles are knitted with 100% undyed wool yarn using an industrial knitting machine. Both the knitted textiles and the mycelium-based composite components of the structure are fully biodegradable. The flexible, hollow fiberglass tent poles, on the other hand, can be reused to fabricate similar forms and are easily stored.

In addition to Davis, Gürsoy, Ghazvinian and Oghazian, the core members of the research team include John Pecchia, associate research professor in the College of Agricultural Sciences’ Department of Plant Pathology and Environmental Microbiology and manager of the Mushroom Research Center at Penn State; Andre West, associate professor and director of The Zeis Textiles Extension at the Wilson College of Textiles at North Carolina State University; and Jenna DeCandio, manager of the Knit Lab at NC State.

Other members of the Penn State team are Paniz Farrokhsiar, architecture doctoral candidate and ForMat Lab researcher; Parachi Masown, recent bachelor of architecture alumna; Alale Mohseni, architecture doctoral student and ForMat Lab researcher; Katy Gerace, material science and engineering doctoral alumna; and Tahmures Ghiyasi, who recently earned his master’s degree in architectural engineering at Penn State and is now pursuing his doctorate at Texas Tech.

MycoKnit is supported by the Skidmore Owings & Merrill (SOM) Foundation Research Prize and the SCDC.