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Tulane University

Title: School of Architecture Geographer and Author Wins Louisiana Writer Award

Sep 26, 2019

Tulane University geography professor Richard Campanella, author of 11 books on the geography, history, architecture and culture of Louisiana, is the recipient of the 2019 Louisiana Writer Award. The award is presented annually by the Louisiana Center for the Book of the State Library of Louisiana.

Campanella will receive the award Nov. 2 at the opening ceremony of the Louisiana Book Festival at the State Capitol in recognition of his outstanding contribution to documenting Louisiana’s history, culture and people.

“The historical geography of New Orleans and Louisiana is really the story of millions of people creating cityscapes and landscapes over hundreds of years,” said Campanella, a senior professor of practice in the Tulane School of Architecture. “I am humbled by the task of trying to understand all this complex place-making, and I feel deeply honored to be recognized by the state for the effort.”

Campanella’s works includes “Bienville’s Dilemma: A Historical Geography of New Orleans,” described by the New York Review of Books as the “single best history of the city…masterful.” He is also the author of “Geographies of New Orleans: Urban Fabrics Before the Storm” (University of Louisiana Press, 2006), which came out just after Hurricane Katrina. That book also won rave reviews, with The Times-Picayune calling it “a powerful (and) dazzling book, unparalleled in its scope, precision, clarity and detail.”

His book “Bourbon Street: A History,” was declared by the New York Review of Books as “absorbing…persuasive…gleefully subversive. There may be no one better qualified to write such a history than Campanella.”

A native of Brooklyn, New York, Campanella is the only two-time winner of the Louisiana Endowment for the Humanities Book of the Year Award. He has also won the Louisiana Literary Award, the Williams Prize, the Malcolm Heard Award for Excellence in Teaching, the Hannah Arendt Prize for Public Scholarship and the Tulane Honors Professor of the Year. In 2016, the Government of France named Campanella as Chevalier dans l’Ordre des Palmes Académiques.

Campanella lives with his wife Marina and their son Jason in uptown New Orleans. His next book, “The West Bank of Greater New Orleans: A Historical Geography,” will be released by Louisiana State University Press in 2020.

To read the full story from Tulane University, click here.

Tulane University

Title: Rudy Bruner Award Winner Has Tulane School of Architecture Connections
Jul 2, 2019

The 2019 Rudy Bruner Award for Urban Excellence Gold Medalist has been named, and several Tulane School of Architecture alumni and faculty were involved in the winning project: Crosstown Concourse in Memphis, Tennessee.

Architecture faculty Emilie Taylor Welty and Seth Welty designed the Crosstown’s French Truck Memphis coffee bar, one of several food establishments in the building. Additionally, Tulane alumni Lee Askew III, FAIA, (Architecture ’66) was the architect of the charter high school inside the building; and Tony Bologna, FAIA, (Architecture ’64) was an instrumental force as one of five architects leading the concept and development for the overall project.

Completed in 2017, Crosstown Concourse is a $210 million rehabilitation project, transforming a historic Sears, Roebuck & Company distribution center into a mixed-use vertical village. The biggest adaptive reuse project in Tennessee and the largest LEED Platinum Certified historic adaptive reuse project in the world, the 16-acre development integrates housing, offices, restaurants, and retail along with nonprofit arts and culture, health and wellness, and educational organizations.

Once home to the city’s largest employer, the 1.5-million-square-foot structure was abandoned in 1993 and stood vacant for more than 20 years. In 2010, Crosstown Arts was founded as a nonprofit arts organization to create a vision for its redevelopment that would cultivate the city’s creative community through “an open and inclusive place designed to dissolve barriers to access.”

Designed by Memphis-based Looney Ricks Kiss in association with DIALOG (Vancouver) and Spatial Affairs Bureau (UK), among others, Crosstown Concourse is now home to 40 diverse tenants and 265 apartments housing over 400 residents.

Read the full announcement from Metropologis Magazine here.

Tulane University

Title: Foundation Awards Grant to Rework Waterfront in Argentinian City
Jun 2, 2019
The Baton Rouge Area Foundation has approved a $75,000 grant to Tulane School of Architecture and The Water Institute of the Gulf to support their work in developing a plan to remake the waterfront in Quilmes, Argentina.The Tulane School of Architecture team on the grant includes Dean Iñaki Alday, serving as principal investigator, and Associate Professor Margarita Jover, along with student research assistants, all of whom will work with scientists and engineers at The Water Institute.

Tulane’s School of Architecture and the Institute will provide the needed coastal science and urban repair advice that policymakers, scientists and designers in the Quilmes-Rio de la Plata region of Argentina need to reinvent their coastline. Tulane and The Water Institute will advise on the leading projects currently under consideration by Quilmes and its more than half-million inhabitants.

Quilmes wants to transform an area of slaughterhouses and heavy industries along the coast into communities that include a diverse mix of incomes. The new waterfront is envisioned to include affordable housing and public places, such as parks and plazas.

Scientists and land planners from Tulane and The Water Institute will review the current conditions and the impact of potential interventions to develop scenarios for the city and its residents to consider. These scenarios may include changes to existing land-use plans and working to develop a unified vision for the entire waterfront to achieve the long-term vibrancy of the city.

“This grant continues our belief that the best water science in the world is coming from Louisiana, and the solutions should be shared to benefit the thee billion people who live on shifting coasts around the world,” said John G. Davies, president and CEO of the Baton Rouge Area Foundation. “The grant also supports the researchers and urbanists from Tulane and The Water Institute as they build their young partnership.”

The Foundation started the Institute to provide independent science for implementing the Louisiana Coastal Master Plan. Now a stand-alone science institute, it has expanded its work around the planet, offering solutions to rising seas and vanishing wetlands in Fiji, Vietnam, Chile, with more recent collaborations with science organizations in Israel, Netherlands, France and Samoa.

Tulane University

Title: Archinect Interviews Dean Iñaki Alday

Aug 6, 2019

Archinect magazine recently interviewed Tulane School of Architecture Dean Iñaki Alday as part of its Deans List interview series with the leaders of architecture schools, worldwide. The series profiles the school’s programming, as defined by the dean – giving an invaluable perspective into the institution’s unique curriculum, faculty and academic environment.

For this installment, Archinect spoke with Iñaki Alday, the new dean at the Tulane School of Architecture. The school hosts a variety of degree and specialized programs that combine architecture, real estate development, historic preservation, and community-driven focuses to provide a holistic design education. Dean Alday recently took the reins of the school with the aim of leading the Gulf Coast region and country, overall, in terms of “what it means to live with water.”

Read below for the full story or click here for the original piece in Archinect by Managing Editor Antonio Pacheco (TSA *14).

Briefly describe Tulane School of Architecture’s pedagogical stance on architecture education.

Tulane School of Architecture has a history of commitment to real, pressing issues, and, especially after Hurricane Katrina, a history of leadership in helping our communities rebuild. We are not interested in the endogamic discourses that have occupied academia for decades, taking us away from society and relevancy. In the past, many schools of architecture have failed as educators and as leaders of our societies. Therefore, our school focuses on urgent problems, not self-indulgent fictions. The school is in the heart of the “Third Coast”–the American Gulf Coast–where all the challenges of human inhabitation of the planet are at play. This exceptional location, being in the Mississippi Delta, also provides us with the opportunity to define the role that architecture can take in facing climate change—including other ecological crises, as well as in the process of urbanization under these circumstances—and the challenges of social and environmental justice that follow.

What insights from your past professional experience are you hoping to integrate/adopt as dean?

A significant part of my professional practice is focused on the connection between cities, and buildings, with rivers and their dynamics. For example, my partner Margarita Jover and I were among the first to “design” the flood that occupies a public space and a building (an arena) in Spain, starting a line of investigation that changes the idea of flooding (and all river dynamics) from a catastrophic event into a positive asset. Since then we have been planning, designing, and building “hybrid infrastructures” in Spain, Asia, and Latin America, and also, working as regular experts for the World Bank. This type of creative, innovative design work is key for Tulane as it seeks to lead the region and country in terms of what it means to live with water.

Academically, I enjoyed being chair of the Department of Architecture at the University of Virginia (2011-16), where I founded the Yamuna River Project together with Pankaj Vir Gupta, an interdisciplinary research program whose objective is to revitalize the ecology of the Yamuna River in New Delhi, thus reconnecting India’s capital city back to the water. This project is proof of how architecture and urbanism can approach complex problems holistically while incorporating multiple fields (history, art history, engineering, economics, religious studies, entrepreneurship, engineering, environmental sciences, and politics, for example). It is a great example of making an impact in one of the toughest urban crises. We are continuing with the project at Tulane, expanding it to other cities in India and the Global South.

Rivers and their associated communities are at the frontline of climate impacts. Globally, river basins provide the majority of the world’s food and freshwater, and more than 500 million people live on river deltas, which also form the major ports of the world. Along the roughly 2,300 miles of the Mississippi River alone are situated at least seven major urban centers, while 50 cities rely on the Mississippi to provide drinking water for 20 million people. The Mississippi River Basin, the world’s fourth largest river basin, spans 31 states and two Canadian provinces, providing more than 40-percent of US agriculture with water while producing $400 billion of economic activity. It is among the leading locations facing significant conditions of accelerating risk, as well. Similar conditions are replicated in multiple river basins across the planet, especially in the Global South, where regions are facing the crises of pollution, floods, and scarcity, and, most critically, in urbanized contexts and in the rapidly growing megalopolises in South East Asia, Africa, and Latin America.

What kind of student do you think would flourish at Tulane University and why?

At Tulane, a student needs to be committed, not only to excellence but also to stepping out of her or his comfort zone, collaborating with other fields inside the school (architecture, preservation, sustainable real estate), and with those outside the school (science and engineering, social sciences, economics, humanities, and law). And above all, our students are encouraged to look beyond themselves, to avoid cherry-picking problems, and to committing to positively impacting the lives of others. The Albert and Tina Small Center for Collaborative Design works directly with communities, URBANbuild produces a yearly miracle of an affordable house designed and built by students, and our river and delta urbanism research offers a unique approach and a track record of substantial impact in the cities set alongside the Mississippi River and alongside the rivers of India, Argentina, and Ethiopia.

What are the biggest challenges, academically and professionally, facing students?

The recovery of architecture as a relevant discipline in the collective imagination is the biggest challenge. Architecture needs to be at the table where big decisions are made. This is the challenge that our students need to take on, and will become experts in, after 50 years of architecture being isolated in disconnected academic discourses or assuming the role of pure service provider. The new generations have the mandate of recovering the leadership role that society and the planet need.

What are some of the larger issues of “today” that you feel an architecture school should be preparing its students for?

We are in the midst of the most significant environmental and social crises, one that is even threatening our own existence on the earth. We urgently need to change the way in which we are inhabiting the planet, change how new buildings perform, how they serve people, how they look, and where they are located. And similarly, we need to rethink what and how to preserve, where and how to develop, and how our cities should be symbiotic with natural elements. Right now, architecture is losing relevance in discussions about the built environment in many countries around the world, and most strikingly, in the United States.

At Tulane, we train students with a holistic approach, giving them interdisciplinary tools to help them learn to identify which are the most pressing issues so they can figure out how to apply their design, preservation, or sustainable real estate development education in order to address them. We advocate for the production of knowledge and innovation through design, which for us, is understood as the creative management of complexity. When we, as architects, are able to go beyond our personal preferences, there is no other kind of professional better prepared for dealing with the complex and uncertain world around us.

What are some of the advantages of the school’s context—being housed within Tulane University as well as in New Orleans—and how do you think they help make the program unique?

Tulane University is a top-tier research university, and the perfect size for interdisciplinary collaborations, which is a priority of the university president, provost and all the deans here. From my perspective, “curiosity” and “ambition” are the two words that define Tulane today and that’s what attracted me here. New Orleans is also the northernmost tip of the Global South. Both facts together position Tulane uniquely as the only top research university that is located in a place that deals with all the challenges—social, environmental, economic—in the most exciting, dynamic, and needed region in the world. And our university is committed to work that brings innovation by crossing disciplinary boundaries. This is the only school of architecture that has fully committed to rebuilding a city after a major catastrophe like Hurricane Katrina. Solving urgent problems, housing people, working with communities to bring them back, developing new scenarios to inhabit our rivers and deltas—those issues are deeply rooted in Tulane’s identity. Because of the uniqueness of Tulane, the School of Architecture is a school that has no parallel.

Tulane needs to keep growing and positioning itself as a genuine voice, very different to our peers due to our unique ecosystem and concerns. We are already a driving force in New Orleans and the region; however, we should also become an international reference working on comparative methods. Our challenges are the world’s challenges, and the best way to learn and move forward is to hold a continuous back and forth between our attention to the local conditions and the lessons learned globally.

Tulane School of Architecture has a significant record of working within the New Orleans community, how will you take on that legacy?

First of all, we should probably say “communities,” as New Orleans is a diverse city with many different communities. They are always complex and contradictory—And there is never a single belonging, but often multiple and always nested systems of them. That being said, New Orleans epitomizes the challenges of thousands of towns, cities, and metropolises set alongside American rivers. We are at the intersection of floods, scarcity, pollution, land loss, and other riverine environmental issues, and we are dealing with the societal impact of those as well as the impacts of post-industrial economic stagnation, transportation crises, and other social challenges. Working from New Orleans—a microcosm of global issues—the Tulane School of Architecture is well positioned to lead the work in terms of how to relate our cities and our rivers in a completely different way. Floods are here to stay, and we have to design our spaces to make them productive—instead of catastrophic—by turning floods into an opportunity rather than a threat. Instead of walls, our rivers and cities deserve public spaces that can navigate the changes and recover healthy ecologies. Buildings need to be adapted to leverage the river or the delta, as well. This is a natural human inclination, but now we must apply it in a different way, undergoing proper transformation.

Can you speak to the nature of collaboration that exists between Tulane School of Architecture’s various programs (Architecture, Preservation, Real Estate Development, the Albert and Tina Small Center for Collaborative Design, URBANbuild, Social Innovation and Social Entrepreneurship) and your plans for those efforts?

Tulane School of Architecture offers the essentials we need to rethink how to inhabit our planet: what and how to preserve, where and how to sustainably develop the land, and how to design buildings, public spaces, and cities. Dual degrees are excellent choices that round-out an effective education and prepare our graduates for thinking broadly, creatively, and responsibly. We have interdisciplinary studios among the three programs, design-build studios with our community partners, and a wide range of courses open to all Tulane students. All in all, every student has the opportunity to excel in her or his degree while being knowledgeable about other areas. An architect needs to know how to deal with existing buildings and to understand the logics of real estate development. Similarly, historic preservationists incorporate design and advanced digital tools while understanding the economic implications of their work, including the risk of gentrification. And a developer of the future cannot be anything other than sustainable, must understand the potential of reusing our heritage, and know how high-quality design improves the conditions of life.

Tulane University

Title: First-ever Research Studios Announced

Jul 31, 2019

Starting Fall 2019, students at Tulane School of Architecture will be part of design research that tackles some of the world’s most pressing contemporary problems through architecture. The school recently selected its first-ever Research Studios that will focus on a single topic, place, or phenomenon over three years, delving into greater detail and complexity in each cycle. Each studio will work toward the production of scholarly outputs such as books, monographs, articles, symposia, and exhibits. Students will have the opportunity to select several of these studios during their time at Tulane.

Tulane University

Title: Architecture Graduate Student Presents Hybridized Infrastructure at National Symposium

May 29, 2019

Exploring how architecture can improve water management and engage communities in New Orleans, recent master’s architecture graduate Riley Lacalli developed a project that proposes a new infrastructure system and presented his work at a national conference this spring.

The CriticalMASS Graduate Research Symposium at the University of North Carolina Charlotte in April brought together 14 students for presentations to panels of experts from across the country. Lacalli, who graduated from the Tulane School of Architecture’s M.Arch I program in May, said the experience at CriticalMASS was both informative and inspiring with students’ topics ranging from virtual libraries to smog-diffusing glass, Lacalli said.

“The diverse representation of projects reinforced the idea that architecture can be used to positively influence a variety of problems,” he said.

Lacalli’s thesis project “Pumps Politikos” addresses urban infrastructural systems and the problems many cities, coastal cities in particular, are facing as the threat of climate change rises. Among his design solutions, he proposes a series of canopies, elevated above streets and around pumping stations, as green spaces for not only rainwater collection but also civic engagement. The goal is to create a better water management system that utilizes every drop of water as an asset and, by making these sites accessible, reconnect communities to infrastructure allowing them to play a role in the monitoring and management of the system.

“To combat issues such as rising sea levels, land loss, and an increased occurrence of natural disasters, urban environments and the machines that keep them afloat must be redesigned in a multi-scalar, multi-systemic manner,” said Lacalli. “My interest in architecture lies in its ability to contribute to many different disciplines and across many different scales. I would love to get involved with an architecture firm that is taking on projects at a larger city or neighborhood scale, specifically projects that work with the existing fabric and attempt to provide holistic and dynamic responses to potential problems.”

Tulane University

Title: Norman Collaborates for Whitney Biennial 2019 Installation

May 28, 2019

Assistant Professor Carrie Norman has collaborated with Kenyan-born, Chicago-based artist Brendan Fernandes for the sculptural installation “The Master and Form,” currently on display through Sept. 22 at the Whitney Museum of American Art for the Whitney Bienniel 2019.

This installation, created through Norman’s practice Norman Kelly, explores the intersections of dance + sculpture + performance through devices that put dancers into specific positions and forms indicative of the technique of ballet.

“As a former dancer training in the ballet world, I’ve always been questioning my body, my sense of who I was in that world. Ballet is a very specific type of dance form and specific types of bodies are required to perform the gestures or to be ‘technically successful’ in that space. I think about race, class, gender through ballet, those things are very much set through Western hegemony narratives. Part of what I’m doing in this work is to be critical and to break down those binaries because we are in a space that we need to change that and dance needs that so much in its narrative, to think about things differently.” – artist Brendan Fernandes

Tulane University

Title: Cameron Ringness (M.arch ’12) Designs New Statue of Liberty Museum

May 17, 2019

Tulane School of Architecture alumna Cameron Ringness (M.Arch ’12), of New York City-based FXCollaborative, was Project Designer for the new Statue of Liberty Museum, which officially opened on May 16, 2019.

The entire structure is meant to connect to Lady Liberty, using the same granite that’s part of the statue pedestal and including copper as a nod to the material the statue is made of, said Cameron Ringness, the project designer at FXCollaborative, which created the museum’s overall design. “It’s really trying to belong to the site and the landscape and not feel like this building that just got placed here out of nowhere. … We wanted to enhance the feeling that it’s really special to be in proximity to the statue,” said Cameron Ringness, quoted in the Associated Press. To read the full story, go to http://bit.ly/2Hv2e6e

See the site design, renderings, floor plans, and selected materials in the project booklet here.

Tulane University

Title: Professor Barron Publishes New Sketchbook on Tulane’s Iconic Architecture
May 14, 2019
Following the sketchbook model of his previous books, Tulane School of Architecture Professor Errol Barron recently published a reflection on the building styles, both historic and modern, throughout Tulane’s Uptown campus.Although the book took two years to create and publish, it is a culmination of Barron’s decades spent on and around the campus. In particular, Barron taught an architecture class that tasked students with observing and drawing Tulane’s buildings.“I used to walk students around and give them a sense that ideas don’t exist in isolation. We would connect buildings on campus with buildings that may have inspired them,” Barron said. “I would often draw with them.”

As noted in Barron’s foreword, the book is a personal, not comprehensive, reflection on the campus and its possible architectural inspirations. He used the 1984 book Tulane Places and interviews with former Tulane University Architect Collette Creppell to inform his notes and reflections on the architecture, but the vast majority of the book features Barron’s signature watercolor drawings. The size and layout of the book mimics the sketchbook style of his previous publications New Orleans Observed and Roma Osservata.

The Tulane book starts at the front of campus on St. Charles Avenue with its Romanesque Revival style, especially noticeable in Gibson Hall and Richardson Memorial Hall, and moves through four separate sections leading up to the edge of campus on Claiborne Avenue.

Additionally, the history of the Uptown campus prior to its function as a university is noted in the book’s preface, written by Richard Campanella, Associate Dean for Research at the Tulane School of Architecture and Senior Professor of Practice in Architecture and Geography.

The narrow, rectangular shape of the campus and its quads are a direct result of the land’s previous use as a plantation along the Mississippi River. French surveyors used the method of creating “long lots” to delineate land along the river, giving each plantation owner access to the river and its rich soil and elevated terrain. The administrators of Tulane acquired its sizeable section of from a large tract that once included what is now Audubon Park.

“Tulane students today live and learn within the walls of a wide variety of splendid structures built over the course of 125 years. They walk and bike within the geometry of a space directly traceable to the earliest yeas of New Orleans, 300 years ago,” Campanella writes. “The enriching experience created by this interplay of architecture and geography is beautifully captured in this volume by Errol Barron.”

Copies of the book are for sale at Octavia Books.

Tulane University

Title: NOAF Contemporary Home Tour Features Alumni
May 10, 2019
by John P. Klingman photographed by Michael Mantese
Two nineteenth-century Uptown New Orleans neighborhoods with complex histories provide the locus for the NOAF 2019 Contemporary Home Tour. The venerable Lower Garden District was a fashionable place to settle in the early nineteenth century, boasting a unique layout that included Coliseum Square as a focal point. Meanwhile, across Magazine Street the Irish Channel developed as a working class neighborhood closely connected with the port activity along the Mississippi River. Following a period of decline in the late twentieth century, today both neighborhoods are thriving; the recent renovation of the Coliseum Square fountain is a noteworthy indication of neighborhood pride, and renovations and new houses are occurring on almost every block in the Irish Channel.Among the new houses being built in these neighborhoods, the majority are reflective of nineteenth century New Orleans building types, particularly the townhouse and the camelback. There are also a number of contemporary designs; and these are the focus of our attention. One may be surprised to see contemporary design in neighborhoods that are under the jurisdiction of the city’s Historic District Landmarks Commission; however, this is consistent with the HDLC guidelines, that allow for a complementary relationship between old and new.

The most appropriate architecture reflects its time, its place and the cultural values of its builders. With respect to place, it is the elements of New Orleans architecture that are more fundamental than stylistic features. Beginning with the interaction between the building and the street; typically porches, balconies or galleries allow for neighborly connections. Second is the provision of shading in our semitropical climate, with vegetation and building components like deep overhangs, shutters and louvers. Third is establishing the scale of the building that is commensurate with that of the surroundings. Finally, there is the relationship between the building and its garden or courtyard, perhaps hinted at from the street. It is the careful attention to these elements that connects a contemporary design approach to New Orleans history.

A less commonly recognized advantage of contemporary design in the historic city concerns legibility. One can argue that the true value of a historic building is more easily recognized when set in contrast to a contemporary neighbor. Instead, we often attempt to show appreciation for the past with a twenty-first century recreation of a nineteenth century style. There is some uneasiness that arises from this approach however. The fine residential structures of the nineteenth century accommodated a lifestyle that is no longer the norm. For example, in earlier times kitchens were service spaces, sometimes not even located within the principal structure; today they often form a hub for family life and entertainment. Newer technologies like the automobile, air conditioning and rooftop solar power have changed the way people think about buildings. The labor-intensive handcraft available in the nineteenth century is less prevalent, and building materials have changed appreciably; New Orleans is a city built with wood, but cementitious siding has replaced old growth cypress. Synthetic stucco, a thin veneer, competes with true stucco, and slate roofs are prohibitively expensive. Often metal roofs are preferable to asphalt shingles.

New Orleans is something of an outlier with respect to embracing contemporary residential design. Of course, one thinks about Los Angeles or Miami as primary examples of the dominance of the Modern, but contemporary residential designs exist in historic cities like New York City and Philadelphia. Cities abroad also provide exciting examples: Montreal, Paris, Amsterdam, Barcelona, and Dublin come immediately to mind. In Kyoto, the capital of Japan for a thousand years, contemporary houses sit alongside of ancient buildings.

The projects that are featured on the Home Tour provide a variety of approaches to contemporary design. However, they all expand the tradition of New Orleans residential architecture.

Click here to read the full story, including descriptions of each home, many of which were designed and developed by Tulane School of Architecture alumni.