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Tulane University

Title: Professor Barron Publishes New Sketchbook on Tulane’s Iconic Architecture
May 14, 2019
Following the sketchbook model of his previous books, Tulane School of Architecture Professor Errol Barron recently published a reflection on the building styles, both historic and modern, throughout Tulane’s Uptown campus.Although the book took two years to create and publish, it is a culmination of Barron’s decades spent on and around the campus. In particular, Barron taught an architecture class that tasked students with observing and drawing Tulane’s buildings.“I used to walk students around and give them a sense that ideas don’t exist in isolation. We would connect buildings on campus with buildings that may have inspired them,” Barron said. “I would often draw with them.”

As noted in Barron’s foreword, the book is a personal, not comprehensive, reflection on the campus and its possible architectural inspirations. He used the 1984 book Tulane Places and interviews with former Tulane University Architect Collette Creppell to inform his notes and reflections on the architecture, but the vast majority of the book features Barron’s signature watercolor drawings. The size and layout of the book mimics the sketchbook style of his previous publications New Orleans Observed and Roma Osservata.

The Tulane book starts at the front of campus on St. Charles Avenue with its Romanesque Revival style, especially noticeable in Gibson Hall and Richardson Memorial Hall, and moves through four separate sections leading up to the edge of campus on Claiborne Avenue.

Additionally, the history of the Uptown campus prior to its function as a university is noted in the book’s preface, written by Richard Campanella, Associate Dean for Research at the Tulane School of Architecture and Senior Professor of Practice in Architecture and Geography.

The narrow, rectangular shape of the campus and its quads are a direct result of the land’s previous use as a plantation along the Mississippi River. French surveyors used the method of creating “long lots” to delineate land along the river, giving each plantation owner access to the river and its rich soil and elevated terrain. The administrators of Tulane acquired its sizeable section of from a large tract that once included what is now Audubon Park.

“Tulane students today live and learn within the walls of a wide variety of splendid structures built over the course of 125 years. They walk and bike within the geometry of a space directly traceable to the earliest yeas of New Orleans, 300 years ago,” Campanella writes. “The enriching experience created by this interplay of architecture and geography is beautifully captured in this volume by Errol Barron.”

Copies of the book are for sale at Octavia Books.

Tulane University

Title: NOAF Contemporary Home Tour Features Alumni
May 10, 2019
by John P. Klingman photographed by Michael Mantese
Two nineteenth-century Uptown New Orleans neighborhoods with complex histories provide the locus for the NOAF 2019 Contemporary Home Tour. The venerable Lower Garden District was a fashionable place to settle in the early nineteenth century, boasting a unique layout that included Coliseum Square as a focal point. Meanwhile, across Magazine Street the Irish Channel developed as a working class neighborhood closely connected with the port activity along the Mississippi River. Following a period of decline in the late twentieth century, today both neighborhoods are thriving; the recent renovation of the Coliseum Square fountain is a noteworthy indication of neighborhood pride, and renovations and new houses are occurring on almost every block in the Irish Channel.Among the new houses being built in these neighborhoods, the majority are reflective of nineteenth century New Orleans building types, particularly the townhouse and the camelback. There are also a number of contemporary designs; and these are the focus of our attention. One may be surprised to see contemporary design in neighborhoods that are under the jurisdiction of the city’s Historic District Landmarks Commission; however, this is consistent with the HDLC guidelines, that allow for a complementary relationship between old and new.

The most appropriate architecture reflects its time, its place and the cultural values of its builders. With respect to place, it is the elements of New Orleans architecture that are more fundamental than stylistic features. Beginning with the interaction between the building and the street; typically porches, balconies or galleries allow for neighborly connections. Second is the provision of shading in our semitropical climate, with vegetation and building components like deep overhangs, shutters and louvers. Third is establishing the scale of the building that is commensurate with that of the surroundings. Finally, there is the relationship between the building and its garden or courtyard, perhaps hinted at from the street. It is the careful attention to these elements that connects a contemporary design approach to New Orleans history.

A less commonly recognized advantage of contemporary design in the historic city concerns legibility. One can argue that the true value of a historic building is more easily recognized when set in contrast to a contemporary neighbor. Instead, we often attempt to show appreciation for the past with a twenty-first century recreation of a nineteenth century style. There is some uneasiness that arises from this approach however. The fine residential structures of the nineteenth century accommodated a lifestyle that is no longer the norm. For example, in earlier times kitchens were service spaces, sometimes not even located within the principal structure; today they often form a hub for family life and entertainment. Newer technologies like the automobile, air conditioning and rooftop solar power have changed the way people think about buildings. The labor-intensive handcraft available in the nineteenth century is less prevalent, and building materials have changed appreciably; New Orleans is a city built with wood, but cementitious siding has replaced old growth cypress. Synthetic stucco, a thin veneer, competes with true stucco, and slate roofs are prohibitively expensive. Often metal roofs are preferable to asphalt shingles.

New Orleans is something of an outlier with respect to embracing contemporary residential design. Of course, one thinks about Los Angeles or Miami as primary examples of the dominance of the Modern, but contemporary residential designs exist in historic cities like New York City and Philadelphia. Cities abroad also provide exciting examples: Montreal, Paris, Amsterdam, Barcelona, and Dublin come immediately to mind. In Kyoto, the capital of Japan for a thousand years, contemporary houses sit alongside of ancient buildings.

The projects that are featured on the Home Tour provide a variety of approaches to contemporary design. However, they all expand the tradition of New Orleans residential architecture.

Click here to read the full story, including descriptions of each home, many of which were designed and developed by Tulane School of Architecture alumni.

Tulane University

Title: Alumni (M.Arch ’13) Design New Spaces for Starbucks Concept Studio
Apr 25, 2019
Tulane School of Architecture alumni John Nelson (M.Arch ’13) and Guan Wang (M.Arch ’13) are designing spaces for global coffee chain Starbucks’ newest stores, called Roasteries, that create a sense of wonder. The goal, they said, is playing on all the senses.“We do this by using the architecture to elevate roasting, brewing, mixology and baking to performance arts,” Nelson and Wang said. “As a customer, you become enveloped in the processes visually and experientially.”

That inspiration is behind Nelson and Wang’s work on the Starbucks Concept and Innovation Team. Specifically, they have worked on designing the New York City Roastery, which opened in December 2018, and the soon-to-open Chicago location.

“As the Starbucks concept studio, we shape and maintain the design vision from the early stages through construction. Our work focuses on major architectural and branding elements – ceiling, walls, roasting equipment, signage – to customer experience and business operations,” Nelson and Wang said.

A total of six Roasteries are planned or have opened for Starbucks around the world, starting with its flagship store in Seattle and others in Shanghai, Milan, New York City, Chicago, and Tokyo.

It is Starbucks’ hope that the Roastery locations will become destinations for coffee drinkers.

Kevin Johnson, CEO of Starbucks, told reporters the Roasteries are “a new concept of a Starbucks, a new concept of a customer experience that is the ultimate in all things coffee.”

Creating new experiences for an established brand is not without its challenges.

“We look at our design challenge as an opportunity to create a deeper brand connection – for both new and faithful Starbucks customers,” Nelson and Wang said. “Customers have very strong connections to our brand, and we knowingly challenge those throughout the project to elicit wonderment, surprise and joy.”

Read press coverage of the New York City Roastery location opening, here.

Photo: Starbucks

Kansas State University

Seaton/Regnier Hall

The newly renovated and expanded Seaton and Regnier Halls have been operational since August 2017. The late 19th century and early 20th century existing structures have been transformed into an innovative 21st century learning and teaching environment, designed by the architecture firms Ennead Architects, BNIM, el dorado, and landscape architecture firm Confluence. The project included the renovation of 80,000 square feet of Seaton Hall and the addition of 114,000 square feet of new construction. The building has consolidated our fabrication capabilities into one 20,000 square-foot shop, adjacent to the new home for our college’s library. A 300-seat auditorium has also been added to building for guest lectures and events. The studios feature cutting-edge technology with integrated design labs and collaborative spaces, while the energy efficient design reduces maintenance and operating costs.

Tulane University

 

Title: Preservation Alumna Launches Online French Quarter Archives

Jan 31, 2019

Alumna Brook Tesler (MPS ’14) has launched a new online portal that archives a wide range of documents for properties, buildings and structures in the French Quarter of New Orleans. The Vieux Carré Virtual Library is a map-based electronic archive of tens of thousands of Vieux Carré Commission (VCC) images, documents, and records. It is designed to preserve historic artifacts from deterioration and natural disaster, while also connecting the public to the inner archives of the VCC as an integrative educational and planning resource.

This project is an ongoing initiative of the Vieux Carré Commission Foundation. The Foundation’s mission is to support the VCC in preserving and protecting not only the French Quarter’s invaluable historic architectural heritage, but also its tout ensemble, or its quaint and distinctive character and ambiance. The website project was developed in partnership with Tesler Preservation Consulting and the City of New Orleans, funded in part by grants from the Ella West Freeman Foundation and the New Orleans Jazz & Heritage Foundation.

To view the Vieux Carré Virtual Library, click here. Hear more about the project by watching the WWL-TV news story here. Read The New Orleans Advocate story here.

University of Kansas

 

The University of Kansas School of Architecture, Design & Planning
[Re] Engaged Architecture Symposium, Celebrating 20 years of Studio 804

 

The (Re)Engaged Architecture Symposium welcomes speakers of international stature to discuss their projects and processes, and to reflect upon the body of work created by Studio 804, headed by Distinguished Professor Dan Rockhill over the past twenty years. Studio 804 is an internationally recognized design/build program that engages design, craft, practice, and community to build healthy communities through the power of design.

 

 

Invited Speakers:

 

 

Brian MacKay-Lyons_[MacKay-Lyons Sweetapple Architects]
Frank Harmon [Frank Harmon Associates]
Andrew Freear [Rural Studio]
Ted Flato [Lake | Flato]
Brigitte Shim [Shim-Sutcliffe Architects]
Marlon Blackwell [Marlon Blackwell Architects]
+ remarks by Susan Szenasy [Metropolis magazine]

 

The symposium will take place Saturday, March 28, 2015, at the University of Kansas School of Architecture, Design and Planning, at our East Hills Construction Innovation Laboratory in Lawrence, KS.

 

For more information, please visit: www.studio804.com/symposium or contact Joe Colistra (jcolistra@ku.edu) 

 

To register: http://cpep.ku.edu/architecture

 

University of Arizona

The Biosphere 2 Landscape Evolution Observatory (LEO) will consist of three massive landscapes constructed inside an environmentally controlled greenhouse facility.  A scale-model built by Assistant Professor Susannah Dickinson and two third-year architecture students, David Kim and James Carrico, will be displayed for visitors at Biosphere 2.  For more info visit: http://leo.b2science.org/node/36

OF ARCH #118: International Magazine of Architecture and Design features the Tucson Zoo and Natatorium in Reid Park, by Burns Wald-Hopkins Shambach Architects with design consultation on fabric structures by Professor R. Larry Medlin.

Adjunct Lecturers Teresa Rosano and Luis Ibarra (Ibarra Rosano Design Architects, Inc.) have three projects featured in Contemporary Villas, Strahan, McMillan, and McMillan, eds. (Atglen, PA: Schiffer Pub Ltd, 2011).

University of Tennessee-Knoxville

University of Tennessee
College of Architecture and Design
Open House

November 11, 2011

The University of Tennessee College of Architecture and Design is hosting its first college-wide Open House, Friday, November 11, in tandem with university-wide Open House, Saturday, November 12 (http://admissions.utk.edu/undergraduate/). Home to diverse and internationally recognized practitioners, scholars, and teachers, the college offers a wide array of programs: first-professional undergraduate degrees in architecture and interior design, first-professional graduate degrees in architecture and landscape architecture, and post-professional programs in architecture and landscape architecture (http://www.arch.utk.edu/Academic_Programs/academicprograms.shtml). The all-day event begins on the university’s Knoxville campus and includes presentations by faculty and students, tours of our award winning facility and multi-disciplinary design-build projects such as The New Norris House (http://www.thenewnorrishouse.com/) and the Living Light Solar Decathlon House (http://livinglightutk.com/), the historic Norris Dam, and the university gardens. The day will conclude with a talk by local historian and author Jack Neely, and a reception at the university’s Downtown Gallery of art. The event is free of charge but spaces are limited. Please contact Ms. Vanessa Arthur (varthur@utk.edu). For more information consult: http://www.arch.utk.edu/.

Kansas State University

Architecture Professor David Seamon attended the 30th annual International Human Research Science Conference, held in Oxford, England, July 27-30, 2011. He organized a symposium, “Lived Relationalities among Place, Space, and Environmental Embodiment.” The three symposium presenters were health sociologist Dr. Andrew Moore, a research associate with the Arthritis Research UK Primary Care Centre at Keele University in Staffordshire, England; Dr. Sam Griffiths, a Lecturer in urban morphology and theory at University College London’s Bartlett School of Architecture; and Seamon, whose presentation was entitled, “‘Seeing’ Merleau-Ponty’s Perception: Possibilities in the Urban Photographs of New York City Photographer Saul Leiter. Seamon also presented “Homeworld, Alienworld, and Being at Home in Alan Ball’s HBO Television Series, Six Feet Under,” a blind-reviewed paper presented at the 7th annual Religion, Literature, and the Arts conference held at the University of Iowa, Iowa City, August 27. The conference theme was “Uncanny Homecomings: Narrative, Structures, Existential Questions, Theological Visions.”

Professor Donald Watts joined more than one hundred former Peace Corps Volunteers who had served in Afghanistan as part of the 50th Anniversary of the founding of the Peace Corps in Washington D.C.  He represented our college at a special reception for former Peace Corps Afghanistan volunteers hosted by His Excellency, Ambassador Eklil Hakimi at the Afghan Embassy in Washington. Watts served as the architectural coordinator of the Kansas State University / Kabul University Partnership Program occurring between 2007 and 2010.

Assistant Professors Nathan Howe and Sam Zeller with the help of fourth-year students Ethan Rhoades, Hana Havlova, Matthew Whetstone and Scott Davis entered  and won the international design competition The 2011 Friends of Seger Park Playground Sprayground in Philadelphia, PA. This competition was to look at the site of their existing water feature and envision a design that would be contemporary, interactive and provide an icon for their park. The team has now been commissioned to produce a promotional model and construction documents while Seger Park continues to raise funds for the project’s implementation.

Greg Sheldon, James Pfeiffer, and Rick Schladweiler from the Kansas City-based firm BNIM are co-teaching a fourth-year design studio this fall. The trio is quite enthusiastic about diving into teaching design. Sheldon, associate principal at the firm, and 2006 Architect of the Year for the AIA Kansas City chapter, taught building construction techniques to beginning students at the KC campus of the University of Missouri, but has never taught studio. The trio intends to fold verifiable design techniques into the studio’s semester-long project.

Illinois Institute of Technology

IIT College of Architecture faculty have been recognized in AIA Chicago’s 2011 Design Excellence Awards. At the October 28th event, five faculty members’ firms received awards.

The College of Architecture faculty honorees are listed below by award. For complete coverage of the 2011 awards, including photos of each winning design, visit AIA Chicago’s web site.

Distinguished Building Honor Award
Carol Ross Barney, Ross Barney Architects. James I Swenson Civil Engineering Building.

Distinguished Building Citation of Merit
John Ronan, John Ronan Architects. Gary Comer College Prep.
Carol Ross Barney, Ross Barney Architects. Fullerton and Belmont Stations Reconstruction.

Interior Architecture Citation of Merit
Andrew Metter, Epstein | Metter Studio. Serta International.

Regional & Urban Design Honor Award
Martin Felsen, UrbanLab. Farming the Chicago Stock Yards.

Regional & Urban Design Citation of Merit
Thomas Hoepf, Teng + Associates. Moraine Valley Community College Entrance Gateway + Quadrangle.

IIT College of Architecture’s Paris Program students recently conducted a collaborative workshop with IE University in Segovia, Spain. Segovian “esgrafiado,” a traditional facade surface technique, was used as a point of departure. Under the guidance of renowned Segovian artisan Julio Barbero Artesanos, the session began as an active seminar with students working in traditional techniques, tools, materials, and processes. A technical architect, Anna Marasuela, presented a contemporary perspective on variations in system performance and its inherent efficiency with respect to embodied energy and material reuse. 

After this initial training, students developed contemporary production ideas, speculating on material adaptations, the implications of altering production processes, and the effects on the system’s programmatic and communicative abilities.

View coverage in El Adelantado de Segovia newspaper