Life on the Mississippi

Take the first left traveling north on the Mississippi River past St. Louis and you will hit Three Forks, Montana, the headwaters of the Missouri River, 2,000 miles later. The big Y down the middle of the US map, which encompasses nearly two thirds of the country, is the watershed of the Mississippi River. The red dot, just south of the confluence or the convergence of the Y, marks what former president of the Missouri Historical Museum Robert Archibald called, the geographical determinacy of the location of St. Louis. It seems that St. Louis is where it should be.

As I write a closing statement as president of ACSA, I am happy knowing that ACSA too, is where it should be. However, the beautiful map that describes the many courses of the river over time reminds us that we live in a dynamic relationship between time and place that requires our constant attention. While I will serve one more year as past president, I am confident that with the leadership of Francisco Rodriquez-Suarez, Branko Kolarevic, and Rashida Ng, along with the entire board of directors and executive director Michael Monti and staff, the organization is in good hands.

I had not planned to make a list of this last year’s work, but I can’t resist, knowing that much of what follows has been ongoing for a long time and is a reflection of a point in time for the organization, thanks to the hard work of so many:

  • We began the implementation of a new strategic plan, including an innovative dashboard to track outcomes.
  • We launched a new committee structure, with great enthusiasm from the membership and committee volunteers.
  • We launched a new journal, Technology | Architecture + Design (TAD).
  • We launched ArchCAS, a new online admissions service for member schools.
  • We had a successful election cycle, reflecting the new board structure with a first and second vice president and the consolidation of the secretary and treasurer.
  • We partnered with Equity by Design to produce the most extensive survey to date of gender and equity issues within the profession.
  • We held amazing member discussions about board representation, that led to a national election to change the bylaws and implement the new committee structure, a reorganized regional directors structure, and reduced the size of the board by two.
  • We convened member events in Chile, Hawaii, D.C., Chicago, and Detroit, with upcoming events in Marfa, Albuquerque, Denver, and Madrid, to name a few.
  • We continued discussions with our collateral organizations to help coordinate the arc of architectural education from K-12 through late practice.
  • We also continued to work with the collaterals to help improve the process and lower the cost of accreditation.

A familiar point of discussion among the collaterals has been the value of architecture and its perception. ACSA has remained steadfast in advocating that diversity is directly related to the value and influence of architecture. Of the five collateral organizations, two are directly related to architectural education, ACSA and NAAB. The other three, however, are dependent upon architectural education in a way that has often pitted the academy against the profession. Organizational defensive routines notwithstanding, we need to continue to close this gap in the arc, and I see progress. One reality is that while programs and faculty are committed to preparing graduates for the profession, that is not all that they are committed to. The totality of these commitments is what gives me great optimism for the future of architectural education. Schools are increasingly being driven by three meta themes; research, engagement, and experimentation. Research and engagement in the face of climate change, equity and poverty, the list goes on, is what keeps experimentation from being an academic exercise and leads graduates to exercise architectural intelligence as well as architectural expertise across a wide spectrum of domains. We will all be the beneficiary. Here again, diversity in our schools as well as in our profession is one of our greatest opportunities, recalling the map of the Mississippi River, this time as our map forward.

Sincerely,
Bruce Lindsey, writing from St. Louis

Clemson University

Clemson Architecture Professor Emeritus Receives Japanese National Medal of Distinction

Tuesday, June 20th, 2017

Clemson University Professor Emeritus Yuji Kishimoto has been awarded a national medal of distinction — the Order of the Sacred Treasure, Gold Rays Medal — by the Emperor of Japan in a ceremony at the Royal Palace in Tokyo. An honorable certificate signed by Japanese Prime Minister Shinzo Abe also was presented to Kishimoto for his longtime efforts to promote academic, cultural and economic relations between the United States and Japan.

“I am thrilled that Yuji has been recognized for his lifetime of service and his incredible work to forge closer ties between the United States and Japan,” said Clemson President James P. Clements. “Yuji also has represented Clemson in a world-class manner for well over 30 years as a faculty member, adviser and ambassador of the university and the state of South Carolina, and I am honored to call him a colleague and a friend.”

“I am very humbled by this news and honored to share it with and represent Clemson University,” Kishimoto said. “Helping to establish the Japan America Association of South Carolina and my position as special assistant to the president of Clemson University supported these activities and created the environment in which I have been able to achieve the level and the quality for these recognitions by the Japanese government.”

The Japan America Association of South Carolina was established in 1989 to create an environment for the business collaboration between the U.S. and Japan and to start a Japanese Saturday school for the children of Japanese industries in the Upstate area. Kishimoto served two terms as the association’s first president.

“Yuji Kishimoto’s work to build community within Clemson and with our international partners has made a big difference in the lives of many Clemson faculty, staff and students,” said Robert H. Jones, Clemson’s executive vice president for academic affairs and provost. “This award is a well-deserved recognition of years of excellent work.”

Kishimoto taught architecture studio at Clemson from 1980 until his retirement in 2011. He served for several years as special assistant to the president of Clemson for U.S.-Japan relations and continues to assist area groups with outreach efforts with Japan. In this role, Kishimoto has served as an ambassador, strengthening and developing new avenues to connect the Clemson community and the Japanese people.

“Yuji Kishimoto is a builder of bridges between people and between countries,” said Richard Goodstein, dean of the College of Architecture, Arts and Humanities. “Throughout his career at Clemson, Professor Kishimoto’s passion for academic and cultural exchange between the U.S. and Japan opened doors of understanding and opportunity for countless Clemson students.”

Much of Kishimoto’s international activity has centered on academic and cultural exchanges and economic development. For more than two decades, he directed the Southeast U.S.-Japan Architectural Exchange, which brought leading architects from Japan to lecture in the Southeast and placed architecture students in internships in Japan. He also directed numerous exchange programs with Japanese companies and institutions of higher education, including Fuji-Photo Film, Toyota Technological Institute, Waseda University in Tokyo and the University of Tokyo. Kishimoto also was instrumental in developing the Clemson University-FUJIFILM Endowment, which provides support for students to participate in exchange programs in Japan.

In addition to academic exchanges, Kishimoto has served in numerous capacities to foster and facilitate academic and artistic exchange and collaboration between the two countries as well as economic development initiatives. For 20 years, he served as the executive director of the U.S.-Japan Alliance with Clemson University and in 1989 was awarded the S.C. Ambassador for Economic Development by S.C. Gov. Carroll Campbell.

Kishimoto is, by any standard, a Renaissance man. Not only does his resume illuminate successful careers as an architect, educator and international ambassador, but his oil paintings have been displayed and collected in various galleries throughout the U.S. and in Japan. He is an accomplished classical guitarist, who has infused his life and work with music. And he has run 24 marathons, including the Boston Marathon five times.

Kate Schwennsen, director of Clemson’s School of Architecture, said, “We thank Yuji Kishimoto for modeling what it means to be a global citizen architect for our students and faculty.”

Kishimoto’s academic degrees include a Master of Education from the University of Massachusetts, a Master of Architecture from Harvard University Graduate School of Design and a Bachelor of Architecture from Wadesa University. He is a native of Tokyo, Japan, and is married to Toshiko Kishimoto, Clemson professor emeritus of Japanese. The Kishimotos have a daughter, Kyo, who also is an architect and is married to architect and Clemson graduate David Brown.

Originally published on SumterCeo.com.

Washington University in St. Louis

HeatherWoofter_WUSTL
Heather Woofter, co-director of the St. Louis-based firm Axi:Ome llc, has been promoted to director of the College of Architecture and Graduate School of Architecture & Urban Design, both part of the Sam Fox School of Design & Visual Arts at Washington University in St. Louis.

Woofter joined the Sam Fox School as an assistant professor in 2005; has chaired the graduate architecture program since 2010; and became a full professor in 2015. Her appointment begins July 1.

She will succeed Bruce Lindsey, the E. Desmond Lee Professor for Community Collaboration and current president of the Association of Collegiate Schools of Architecture (ACSA). Lindsey has led architecture for the past 10 years, and will join the faculty after a yearlong sabbatical.

“Heather is an internationally distinguished architect and design educator whose career embodies the close ties between academic research and studio practice,” Colangelo added. “I am proud to announce her appointment and look forward to working closely with her as we embark on a new era in the life of the school.”

Read more on Source: WUSTL.

Learn more about Washington University of St. Louis! 

The Ohio State University

Todd Gannon Announced as Section Head of Architecture


The Knowlton School is pleased to announce that Professor Todd Gannon has been appointed the next Section Head of Architecture.
Gannon comes to the Knowlton School from the Southern California Institute of Architecture (SCI-Arc) where he taught history, theory and design studio. Prior to his arrival at SCI-Arc in 2008, Gannon taught at Otis College of Art and Design and UCLA, where he also received his Ph.D.

“Todd is uniquely qualified to lead the Architecture Section forward,” according to Knowlton School Director Michael Cadwell. “He is an experienced practitioner and academic who is well acquainted with the school and a respected voice in the discipline.”

Professor Gannon will return to his academic roots, having received his architectural undergraduate (BSARCH ‘95) and graduate (MARCH ‘97) degrees at the Knowlton School. “I am thrilled to return to Columbus and to rejoin the Knowlton School as architecture section head. Ohio State is one of the premier public universities in the country and the Knowlton School has long played a leading role in advancing both the discipline and the practice of architecture worldwide,” said Gannon.

More recently at Knowlton, Gannon has juried the graduate architecture 2017 Exit Review Prize, lectured during the 2014 Baumer Lecture Series, and edited Et in Suburbia Ego: José Oubrerie’s Miller House, a book of essays on Knowlton School Professor Emeritus José Oubrerie’s most notable built work in the United States.

Gannon’s appointment follows the retirement of Professor Robert S. Livesey, who has served as section head for the past four years. “I look forward to building on the formidable achievements of my predecessor, Professor Robert Livesey,” Gannon added, “and to working with Knowlton School students, faculty and staff to develop innovative, equitable, and sustainable strategies to meet architecture’s twin responsibilities to organize the built environment and to advance the public imagination.”

Gannon’s scholarship focuses on the history and theory of late 20th-century and contemporary architecture. His published books include The Light Construction Reader (2002), Pendulum Plane/Oyler Wu Collaborative (2009), and monographs on the work of Thom Mayne, Bernard Tschumi, UN Studio, Steven Holl, Mack Scogin and Merrill Elam, Zaha Hadid, Peter Eisenman and Eric Owen Moss. Gannon’s book on the architecture critic and historian Reynar Banham is forthcoming as are publications on speculative architecture in Southern California.

Gannon has lectured at institutions across the United States, Europe and Asia, and is a frequent conference participant and jurist. He served on the board of directors of the Los Angeles Forum for Architecture and Urban Design, where he directed publication efforts from 2008-2010. His work has been recognized and supported by the Graham Foundation, the Getty Foundation, the National Endowment for the Arts, the American Institute of Architects, the City of Los Angeles Department of Cultural Affairs and UCLA. 

Summertime Reading

 

Barbara Opar and Lucy Campbell, Column Editors

Column by Cindy Derrenbacker, Laurentian University, McEwen School of Architecture Librarian Sudbury, Ontario Canada

We wanted to share something a little different with you this month- an approach to productive summer reading.

One of my cherished memories is of summertime reading on a chaise lounge on a screened-in porch at my childhood home.  I recall eating cherries and nectarines while reading C.S. Lewis’s The Chronicles of Narnia with the sound of summer cicadas in the background.

Recovering Reading for Pleasure

I am inspired to write this column for the Association of Collegiate Schools of Architecture, in part, because I, like many of you, wish to recover such carefree days and hours of reading. With summer in the offing, I am sure many of you look forward to reading for pleasure, moving beyond a reading repertoire that is driven by academic work or books we feel obliged to read for one reason or another. We anticipate a break in routine with new opportunities and adventures.

This is aptly reflected in F. Scott Fitzgerald’s novel, The Great Gatsby, as the narrator muses: “And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer. There was so much to read, for one thing, and so much fine health to be pulled down out of the young breath-giving air.”1

While we long to recover the easy summer days of our youth, we may feel a sense of guilt indulging in the pleasures of idle reading, when certain responsibilities must surely go by the wayside. Given the sheer number of available books, we may be overwhelmed by which title to choose. And with the allure of the Internet, our sustained engagement with the printed word is more tenuous than in the past.

Some years ago, I came across Steve Leveen’s book, The Little Guide to Your Well-Read Life, at an airport kiosk. Since then, I have periodically referenced this book as it shares effective ideas for getting more books into your life and more life from your books. Leveen’s recommendations remind us to think intentionally about our reading habits.

Reading to Live

There is a quote by Gustave Flaubert in the front matter of this book: “Read in order to Live.” And from the outset, Leveen suggests that finding the time to read results in living “a larger life”2—a life connected to “the world, yourself, and your untapped capabilities”3 This is no easy task, given time constraints and numerous distractions. Making room for reading is, in fact, a luxury.

Perhaps you recall reading a particularly moving text or when a book made a marked impact on your life. When I first encountered The Great Gatsby, I was immediately drawn to this acclaimed novel based on Fitzgerald’s opening, dynamic description of the grounds of a Georgian-styled Colonial mansion on the bay of Long Island Sound. He writes, “The lawn started at the beach and ran toward the front door for a quarter of a mile, jumping over sun-dials and brick walks and burning gardens—finally when it reached the house drifting up the side in bright vines as though from the momentum of its run.”4

I never tire of Fitzgerald’s animated language or well-crafted story of “the romance and glitter of the Jazz Age;”5 this literary classic moves me. As a result, my life is personally enlivened, and as Leveen suggests, “in color rather than black and white.6 Your well-read life, however, may not include Fitzgerald or other literary giants you are “supposed to have read.” Your reading list is certain to look different from mine, as it should.

Reading with Purpose

But how do you choose books to read? Now, a librarian might direct you to known booklists, such as Nancy Pearl’s Book Lust series or the New York Times best sellers list or CBC’s Canada Reads: the 2017 shortlist. The discerning reader may refer to goodreads.com or recommended book titles by a favorite blogger, online. You might turn to a handful of books in your home that you’ve been intending to read or that were given to you as gifts. But most of us do not put a great deal of thought into our choices; it’s “kind of accidental and ad hoc.”7 Leveen writes “[s]o casual an approach is unfortunate when you think about how much a great book can mean. A single right book at the right time can change our views dramatically, give a quantum boost to our knowledge, help us to construct a whole new outlook on the world and our life.”8 And when you consider how relatively few books for pleasure we can read in a year—let’s say one book a month—and over a lifetime—we really should be more particular about building a list of, what Leveen refers to as, “candidates,” worthy options but not necessarily final reading choices.

Building a List of Candidates

Steve Leveen suggests some possible strategies for building a list of candidates:

  • Begin with a list of books or authors you know you want to read. Group titles and authors under subject headings such as work, travel, nutrition & health, biography, and classics, listing the sources of these recommendations.
  • Reconstruct a list of books or authors you have enjoyed in the past that might shed light on future selections. Three decades ago I enjoyed Fredric Buechner’s novel tetralogy The Book of Bebb, but I have not read this author’s other acclaimed works that might make worthy reading candidates. Likewise, there could be merit in re-reading The Book of Bebb at this stage in my life; I would inevitably read the text differently. Buechner has sometimes been compared to English author Grahame Greene and Canadian author Robertson Davies and so it would be interesting to determine if either of these authors has written material I might want to include on my list of candidates.
  • Beware of well-intentioned friends recommending titles that may or may not make good candidates for personal reading, but take note of book recommendations from acquaintances who are experts on a particular subject in which you share a common interest. Your local public librarians could be useful in this regard as well.
  • Probably the most practical advice that I took away from Leveen’s Guide was a quote by Atwood H. Townsend that says “[n]ever force yourself to read a book that you do not enjoy. There are so many good books in the world that it is foolish to waste time on one that does not give you pleasure.”9 Likewise, in a 2012 Ted Talk, Nancy Pearl advises not to read beyond fifty pages of a book if you are not enjoying it. “Life is too short and your list of good books beckons”10

 

Reading Actively

Leveen suggests “[t]he point of reading is not reading but living. Reading helps you live with greater appreciation, keener insight and heightened emotional awareness.”11 But just as you can practice a musical instrument poorly and without focused attention, you can also be a disengaged reader. Leveen recommends that “if you want to read well, read actively.”12 Rather than diving in, begin by previewing the book. Once you’ve started, don’t hesitate to put a book down if it doesn’t speak to you, even if others hold it in high regard. If you own the book, freely take notes in the margins and define vocabulary with which you are unfamiliar. Once you have finished a book, spend time reflecting on what you have read, re-reading favorite sections, writing down quotes that speak to you, and talking with a friend who has also read the book. These strategies will help you remember some of the characters and ideas you engaged with in the book. And for the most part, Leveen discourages speed-reading, in favor of lingering with the text—taking a “slow foods” approach, if you will, to reading.

Reading with your Ears

Leveen devotes an entire chapter to “Reading with Your Ears.” In my experience, listening to unabridged audiobooks while commuting or cleaning is probably the single best way to get more books into your life. In particular, if the voice of the reader is cast well, listening to an audiobook can be an enjoyable experience.

Reading with a Book Group

I might have missed some wonderful stories if it had not been for my participation in a book club for several years. Leveen points to the advantages of “Sharing the Fellowship of Books”13 and I have to agree. He quotes reading group expert Rachel Jacobsohn, “Reading confirms your aliveness. It’s very validating. That’s what book groups ultimately are; you get validated in the human condition—the conditions and puzzles, the good stuff and bad, the aspirations and hopes and despairs. You’re not alone out there.”14 Developing friendships, reading beyond personal interests, and having the opportunity to analyze and critique books in a group setting, can enhance your well-read life.

Reading for Empowerment

And so we read to live and what we read counts, especially in relation to the life of the mind. The ideas and impressions that are aroused by reading influence our beliefs and actions. There is a profound book that echoes and expands on these sentiments entitled, In Bed with the Word: Reading, Spirituality, and Cultural Politics. The author, Daniel Coleman, writes: “Reading is not solely an exercise to feed one’s inner life. Rather, eating the book—not just nibbling at it, or having a little taste here and there, but eating it wholesale—produces a changed person, an empowered person, a different kind of person, and changed people means social and political change, not just personal change.”15

In sum, on the cusp of summer, we have the opportunity to nurture a well-read, transformed life. This means thoughtfully drawing up a list of book candidates, selecting one or two titles from the list, carving out precious time (perhaps by turning off the T.V. or limiting our binge-watching of Netflix movies), and doing something countercultural: reading for pleasure!

 

 

  1. F. Scott Fitzgerald, The Great Gatsby (New York: Charles Scribner’s Son, 1925), 4.
  2. Steve Leveen, The Little Guide to Your Well-Read Life: how to get more books in your life and more life in your books (Delray Beach, FL: Levenger Press, 2005), 1.
  3. Leveen, The Little Guide, 9.
  4. Fitzgerald, The Great Gatsby, 6-7.
  5. Ibid., back cover blurb.
  6. Leveen, The Little Guide, 3.
  7. Ibid., 11.
  8. Ibid.
  9. Ibid., 10 (bold mine).
  10. Ibid., 30.
  11. Ibid., 31.
  12. Ibid., 33.
  13. Ibid., 79 – Chapter Title.
  14. Ibid., 78.
  15. Daniel Coleman, In Bed with the Word: Reading, Spirituality, and Cultural Politics (Edmonton, AB: The University of Alberta Press, 2009), verso.

 

 

Why TAD?

Read the first issue of TAD online by logging in to ACSA and visiting tandfonline.com/utad.


From Technology | Architecture + Design
Issue 1:1, May 2017

Caryn Brause, Chris Ford, Clare Olsen, Jeana D’Agostino Ripple, Marci S. Uihlein & Andrzej Zarzycki

Discourse on technology and design is necessary and vital in our contemporary context of environmental crisis, lack of equity in resource allocation, and infrastructural failure. Researchers, policy makers, and practitioners are grappling with these difficulties in the context of political and economic uncertainty. Given the complexity and immediacy of the technological and cultural challenges that pervade our world, architecture and design disciplines are now at a pivotal moment to take action. Architects and built environment professionals have always been involved in fostering the shift from information to translation, from analytics to application. However, we’re now seeing spatial and design intelligence contribute to a rapidly growing culture of original research. New technologies—designed and developed through collaboration across disciplines, rigorous methodological testing, and projective experimentation—are vital to further stimulate the pace of research and its implementation. Significant growth requires prominent venues to advance and test progressive ideas, to elevate the visibility of architectural research, and to bridge the academy and professional practice.

To this end, the ACSA community is launching its first new scholarly journal in seventy years. The journal of Technology|Architecture + Design (TAD) is a new peer-reviewed international journal dedicated to the advancement of scholarship in the field of building technology, with a focus on the impact, translation, and integration of technology in architecture and design. TAD solicits, captures, and shares new knowledge in how we think about, make, and use technology within the building arts.1 TAD will be published semiannually. With a necessarily expansive audience in mind, TAD is designed in careful consideration of strategic scholarly formats to combine the fields of architecture, design, and technology. In this endeavor, TAD expands upon three distinctive aspects of architectural publication: (1) its role in knowledge forming in addition to dissemination, (2) the visual cognition and translation evident in architectural publication, and (3) author and audience diversity ranging across disciplines, between practice and academia, and through new forms of creative, scholarly engagements.

Knowledge Forming and Dissemination
Formats for influential scholarly publication tend to shift at pivotal moments of changing technology and disciplinary reevaluation. For example, the very notion of peer review developed over time, first as a means of elevating and publicizing the sciences and later as a way to hold scientists accountable for their claims, thereby justifying public funding during political change.2

Similarly, architects are increasingly partnering in multidisciplinary research teams, integrating design and science methodologies. Beyond providing a publication platform, TAD asks contributing authors to identify their methodologies and metrics of evaluation, and to assess their efficacy and design to deepen this collective work. These metrics, whatever form they may take, become tools in understanding what has been tested and how our collective knowledge has grown, allowing for accountability in research contributions, whether they are subtle or revolutionary, fully resolved or works in progress.

Visual Cognition and Translation
Emphasizing the role of visual cognition invites dialogue between design and technology so that designers may re-engage in the technical domains that have become external to the discipline, and researchers operating within scientific modalities can incorporate design characteristics into their approach. Appreciating the intrinsic importance of visual thinking in the design disciplines, TAD infuses visual thinking into discussions of research methodology, metrics, and projective design proposals. Articulating the value of research contributions through the language of design is essential to advance the discourse and increase the potential for practical translation.

Diverse Contributors, Diverse Audiences
Research in technology, architecture, and design engages diverse thinkers, and the format of this journal bridges the literature of the humanities and sciences by including both invited content around a particular subfield and calls for peer-reviewed manuscript submissions. The distinct article formats (double-blind peer-reviewed content and invited Op/Positions, Research Methodologies, and Reviews) provide varied perspectives on current research approaches, ideas, and assessments and highlight directions for future research. Open-themed issues will continue to showcase emergent design and technology dialogues and reveal the depth of our field. By cracking open formats, curatorial perspectives, and expectations for the length of manuscripts, we ensure diverse voices and increase scholarly opportunity.

TAD Futures
TAD calls upon contributing authors to advance and transform the current discourse on building-based technologies with the goal of expanding, reimagining, and challenging its role for architecture and design.3 TAD’s audience includes the ACSA’s 5,000 architecture faculty, over 300 supporting architectural firms, and diverse extradisciplinary organizations. We invite this strong, diverse community to exchange architectural and design technology research through this venue, triggering imperative innovation, identifying dialogues currently finding a home in disparate subfields, and enlarging the impact of design and technology research in the built environment.


Notes

 

  1. TAD, Technology|Architecture + Design, mission statement, 2016, www.tadjournal.org
  2. Alex Csiszar, “Peer Review: Troubled from the Start,” Nature 532, no. 7599 (April 19, 2016): 306–8.
  3. TAD, Technology|Architecture + Design, mission statement (note 1).

 


Read the first issue of TAD online by logging in to ACSA and visiting tandfonline.com/utad.

Woodbury University

Ingalill Wahlroos-Ritter, AIA, Named Dean of the School of Architecture

Woodbury University has named Ingalill Wahlroos-Ritter, AIA, Dean of the School of Architecture. Her appointment is effective June 1st, 2017.

“As an inspiring leader dedicated to connecting the profession to the academy, Ingalill weaves a rich tapestry of interconnected ‘crafts’ with a specific but broad theoretical lens. I have witnessed her integrity and thoughtfulness first-hand as we have jointly worked together on multiple initiatives,” said Randy Stauffer, Senior VP, Academic Affairs. “Woodbury’s programs in Architecture and Interior Architecture at the undergraduate level are now nationally ranked 23rd and 13th, respectively.”

Wahlroos-Ritter has over twenty years of academic experience. She joined the Woodbury faculty in 2005 and has served in multiple administrative assignments as part of her full-time faculty position including Undergraduate and Graduate Architecture Chair, Associate Dean and, most recently, Interim Dean. During this time, Wahlroos-Ritter led many successful initiatives including the creation of the Woodbury University Hollywood (WUHO) gallery, the establishment of a digital fabrication lab, and the launch of graduate programs in architecture and landscape architecture. These achievements underscore her value in supporting a broad-scope of architectural inquiry. Prior to Woodbury, Wahlroos-Ritter taught at Yale University, Cornell University, UCL Bartlett School of Architecture, and SCI-Arc. Wahlroos-Ritter is also Director of WUHO, a venue for exhibitions, installations, and public dialogue. She recently served on the Los Angeles AIA Board of Directors and is now serving as Director on the Los Angeles Forum for Architecture and Urban Design Advisory Board.

Her expertise as a façade consultant specializing in the experimental use of glass and working in multi-disciplinary teams, continues to impact her teaching, academic leadership and professional practice. An influential figure in the field, she contributed to the book Architecture: A Woman’s Profession, where she advocates for design innovation derived from non-biased collaborative practices. In her many capacities as practicing architect, educator, academic administrator, gallery director and head of multiple initiatives, including Woodbury’s Integrated Path to Architectural Licensure (IPAL) Program, a project launched by former Dean Norman Millar, Wahlroos-Ritter works with a wide range of constituencies to bridge the gap between practice and education.

“Our school is a role model for the direction in which the profession is heading – improving economic, gender, and ethnic diversity among its members, and reaffirming the importance of ethical conduct and social responsibility,” she said, “and I am inspired every day by our students, by my colleagues who are a splendid collection of critical thinkers and distinguished practitioners, by the optimism that infuses our School, and by our shared belief in the power of design to address urgent, contemporary issues. I look forward to working with faculty to cultivate and strengthen our student’s unique design voice that is equally committed to professional practice, theoretical discourse, social equity, and to formal and technological inquiry.”

As part of its 5th Annual AIACC Academy of Emerging Professionals Awards Program, the American Institute of Architects, California Council (AIACC), recently conferred its AIACC Educator Award on Wahlroos-Ritter. The jury lauded her for her commitment to shaping young architectural minds. The AIACC, the largest component of the national AIA organization, represents the interests of more than 11,000 architects and allied professionals in California.

(via Woodbury School News)

University of Southern California

Clifford Pearson, director of the USC American Academy in China (AAC) and lecturer at the USC School of Architecture, organized a forum on the collaboration between Asian developers and American architects in creating three of the largest building projects in downtown Los Angeles. The AAC-sponsored event entitled “Is LA Ready for Vertical Urbanism,” took place at USC on May 9 at 6:30 PM. Participants were: Robert Jernigan of Gensler and Wu Chao of Greenland USA talking about the Metropolis complex; Mark Nay of CallisonRTKL and Tin Hovsepian of China Oceanwide Holdings talking about Oceanwide Plaza; and Tammy Jow of AC Martin and Chris Park of Hanjin International talking about Wilshire Grand. Paul Tang of  Verse Design and the founding academic coordinator of the AAC moderated the panel discussion, along with Pearson. 

Adjunct Associate Professor and Office of Mobile Design (OMD) Founder, Jennifer Siegal, won a 2017 AIA/LA Residential Architecture Award for her private home ‘Vertical Venice Prefab’. The home was featured on the cover of Dwell’s 2017 Prefab Issue and will be available to view at the Dwell on Design home tours in June. She will be speaking on an expert panel on June 24th at the Dwell of Design event in Los Angeles. Siegal is the inaugural design interview for the launch of Hunker.com out this April. OMD’s work is featured in Mobitecture: Architecture on the Move (Phaidon Press) and the Swedish publication RUM’s Los Angeles Issue. Siegal was made representative for her 2003 GSD/Loeb Fellowship class.

Patrick Tighe, FAIA, Adjunct Professor has the following news this month,

Tighe was awarded the 2017 Star of Design Award during Westweek, given by the Pacific Design Center. Other awards include: three AIA LA Residential Design Awards, a Architizer Award, two Calibre Award nominations and one Los Angeles Architecture Award

R. Scott Mitchell and Sofia Borges’s MADWORKSHOP Homeless Studio won the Fast Company World Changing Ideas Award for their Homes for Hope prototype. Their work is also featured in this month’s Metropolis Magazine, Architect Magazine, and Business Insider. 

Lorcan O’Herlihy FAIA will be speaking at Architectural Record’s Innovation Conference West, The Future of Architecture and the Public Realm, at UCSF’s Mission Bay Conference Center San Francisco on Wednesday, June 7. He will discuss urban culture in Los Angeles and Detroit, emphasizing the need for social and civic connectivity in two complex and rapidly evolving regions. Lorcan was also featured in the April 2017 issue of Architectural Record, which focuses on the public realm. In the issue, Lorcan shares his thoughts on rebuilding Detroit and discusses ways of integrating the public realm and social housing through his MLK1101 project in South Los Angeles. Over the next several months Lorcan will be lecturing at University of Colorado Denver, Washington University in St. Louis, and will give the Convocation Lecture at University of North Carolina at Charlotte.

Alvin Huang, AIA was granted tenure and promoted to the rank of Associate Professor. He will be a keynote speaker at the 2017 AIA Wisconsin Conference on Architecture in Madison, WI on May 17-18, and has been invited to give a lecture and conduct a design workshop at the School of Architecture and Civil Engineering at Xiamen University in Xiamen, China from June 23-27. 

Eric Haas’s firm DSH // architecture was a finalist in Architizer’s 2017 A+Awards in the Architecture + 3D printing category for their research project Spiral Kitty, a wholly 3D-printed, reciprocally-structured cat shelter, donated to benefit the nonprofit Architects for Animals. The firm is in construction on two preschool and infant care centers in Hollywood, and beginning work on new facilities for Children’s Institute.

Associate Professor Ken Breisch has completed his manuscript for American Libraries: 1730-1950.  This is to be published by The Library of Congress and W. W. Norton in September 2017. In February and March he lectured on his new book The Los Angeles Central Library: Building an Architectural Icon, 1872-1933 at the Los Angeles Public Library and before the Society of Architectural Historians/Southern California Chapter, and participated in a podcast conversation on this same topic with Jim Cuno, President of the J. Paul Getty Trust, for his series Art + Ideas. In March, he gave a lecture on the Los Angeles Stock Exchange Building for the Annual Meeting of the Los Angeles Chapter of the Construction Specifications Institute and was invited by Pasadena Heritage to lecture on the significance of architecture of the recent past.

Mina Chow, AIA, NCARB is the architecture expert for a new National Geographic series called “Origins: The Journey of Humankind.”  Throughout the episode, she talks about the revolutionary aspects of building systems furthering the progress of civilization on “Building the Future.”  The episode aired on MON, April 17, 2017 and FRI, April 21, 2017 9:00pm ET/ 6:00pm PT on the National Geographic Channel.  In addition, the film she is directing/producing about the erosion of America’s international image “FACE OF A NATION:  What Happened to the World’s Fair?” just completed their original music.  The film featuring Frank O. Gehry, and Barton Myers will be ready for film festivals in the Fall 2017.

Assistant Professor of Practice, Lauren Matchison, served as the AIA mentor and faculty advisor to the winning student team in the 2017 AXP Design Competition (hosted by AIA San Fernando Valley). USC undergraduate students, Taylor Abbott and Tyler Gates, won the $1000 first place prize for their design of a Los Angeles-area park and community center.

Laurel Consuelo Broughton and her studio WELCOMEPROJECTS presented a new urban project, “The Fantasy Compact” as part of cityLAB UCLA AUD’s exhibition, “cityLAB, times 10,” which imagined speculative futures for Los Angeles along with five other Los Angeles offices and work from cityLAB’s archives at the A+D Museum in Los Angeles. The show runs from February 3- April 9, 2017. 

Construction was recently completed for Geoffrey von Oeyen‘s design for the Project and Idea Realization Lab (PIRL), a new design technology lab and classroom for a middle school in Pacific Palisades, California, that celebrates the design process as integral to education. Both indoors and out, the two teaching spaces in PIRL provide comprehensive learning opportunities that enable an exploratory approach toward multidisciplinary, design-based collaboration. The interior classroom, taking spatial and programmatic cues from Stanford’s Institute of Design, provides a technology platform for creative collaboration on projects ranging from robotics to filmmaking. The student-operated retractable canopy fabricated by a racing sailboat rigger is a didactic expression of architecture, engineering, and sailing design that creates a covered outdoor teaching and making space. www.geoffreyvonoeyen.com

University of Southern California

By Contact ReporterLos Angeles Times

USC’s School of Architecture will have a new dean July 1. The department announced Monday that Milton S.F. Curry has been named to succeed Qingyun Ma, who served two five-year terms as dean and will remain on the faculty.

Curry arrives from the University of Michigan Taubman College of Architecture and Urban Planning, where he is associate dean for academic affairs and strategic initiatives. He was chosen for the post at USC based upon his expertise “at the forefront of disciplinary areas on race, architecture and urbanism that engages cultural theory and humanities research,” the announcement said.

Curry founded the CriticalProductive Journal, which examined scholarship and creative pursuits in architecture, urbanism and cultural theory. He also co-founded Appendix Journal in the early 1990s, which helped to catalyze debate on architecture and race, among other subjects.

Curry earned a bachelor’s degree in architecture from Cornell University and a master’s in architecture with distinction from Harvard Graduate School of Design. His concentration was architecture theory.

He began his career in academics as an assistant professor at Arizona State University in 1992. He later was a visiting professor at Cornell, becoming an assistant professor there in 1995; he was promoted to tenured associate professor in 2002. He taught a graduate design studio at Harvard in 1999.

In 2010 he joined the University of Michigan as associate professor.

“We are honored and excited to welcome Professor Curry to the USC School of Architecture,” USC Provost Michael Quick said in the announcement. “Architecture has a profound impact on our culture. It is a profession and an art, local and global, and extremely creative. We know that Professor Curry will lead our students, faculty, research and practice to new heights.”

University of Buffalo

Clinical Assistant Professor of Architecture Greg Delaney and his students were presented with the inaugural Studio Prize for Excellence in studio curricula by Architect magazine in April 2017. The studio, entitled ‘Good Grids’, drew inspiration from a 1913 Chicago City Club competition focused on re-energizing an urban grid in turn-of the century America.

Assistant Professor Julia Jamrozik presented the paper ‘Bringing play into the architecture curriculum’ at the 2017 US Play Coalition Conference at Clemson University. Professor Jamrozik was also invited to present the paper at the 43rd. Annual Conference of the Association for the Study of Play (TASP) at the Strong Museum in Rochester, NY in Spring, 2017.

Adjunct Professor Virginia Melnyk was awarded a 2017 Woodstock Byrdcliffe Guild Summer Artist in Residency.

Assistant Professor Jin Young Song’s proposal Metabolic Evolution was awarded first prize on the One Idea Competition for the Self-Evolving City of the Future. The competition was sponsored by the Seoul Museum of Art. http://selfevolving.org/?c=45/46, http://dioinno.com/Connected-Living-Metabolic -Evolution-through-Prefabrication-and.

Assistant Professor Jin Young Song was awarded a 2017 Techne Faculty Fellowship by UB’s Techne Institute for Arts and Emerging Technologies.

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