Pennsylvania State University

UNIVERSITY PARK, Pa. – A team of faculty, graduate students and staff from the Stuckeman School and the College of Engineering at Penn State have teamed up to design and build a “glove box nursing booth” prototype that could potentially be used by health care providers working at drive-thru COVID-19 testing sites.

It is well documented that the surge of COVID-19 cases across the country has led to an unprecedented shortage in personal protective equipment (PPE) for medical professionals on the front lines of the pandemic. Penn State has stepped up to address the shortage through the University-wide Manufacturing And Sterilization for COVID-19 (MASC) Initiative.

Researchers in the Stuckeman Center for Design Computing (SCDC) in the College of Arts and Architecture and the School of Engineering Design, Technology, and Professional Programs (SEDTAPP) are building off of that initiative by prototyping a nursing booth that is designed to allow health care employees working at drive-thru COVID-19 testing sites to safely collect samples from patients who may be infected with the coronavirus. The booth, which has been named the Barrier for Outside Outpatient Testing of Heath (BOOTH), could also eliminate the need for PPE – such as masks, gloves and gowns – as it provides a highly protective barrier between the provider and the patient. It also features a built-in sanitizing system.

José Duarte, director of the SCDC and the Stuckeman Chair in Design Innovation, served as the multidisciplinary team leader and said a similar testing booth developed by doctors at Brigham and Women’s Hospital in Boston was used as a reference. An initial proposal was designed by Naveen Muthumanickam, an architecture doctoral student, with assistance from Felecia Davis and Marcus Shaffer, both faculty members in the Department of Architecture; Jamie Heilman, digital fabrication and specialized technologies coordinator in the Stuckeman School; and Duarte.

“The idea was to design and construct a scaled-up version of what engineers and scientists call a ‘reversible glovebox or isolation glovebox,’” explained Muthumanickam. “Our version would need to accommodate a nurse who stands inside a booth and uses the reversible gloves to collect nasal swabs from patients outside the booth, thus preventing spread of the virus through contact.”

A number of important factors drove the design of the BOOTH, including the fit, the height and spacing of the arm holes and the need for the patient to remain in fresh air. Shaffer said the architects turned to a book on human factors called “Measure of Man,” which is a resource architecture faculty often reference with their students. The team also relied on the ergonomic expertise of Matthew Parkinson, director of the Learning Factory and professor of engineering design and mechanical engineering.

“In terms of the anthropometric information, selecting the correct data and using the information in a knowledgeable way by making some assumptions for the bodies that will occupy and use the testing booth were important to the overall design,” said Davis, who is the director of the Computational Textile Lab (SOFTLAB) in the SCDC.

The team also decided that completely sealing the booth and incorporating a device to automatically sanitize the gloves after each test were must-have features that were not part of the referenced booth.

Both Shaffer and Heilman have extensive backgrounds in fabrication and assembly and were able to inform Muthumanickam’s design in terms of material choices, portability and cost.

“In general, my role is to help students and faculty learn to use our school’s design and fabrication tools to bring their projects from ideas to physical objects,” said Heilman. “The BOOTH project is an exciting change of pace because this time I get to be involved in the entire process, from design meetings through fabricating a finished prototype. The fact that we are taking part in a massive effort within the University, the nation and the world, makes this work even more fulfilling.”

Standard parts for the frame – including lightweight aluminum, bolts, infill acrylic and plywood – were ordered from online vendors and shipped to Shaffer’s home, where he got to work.

“A big part of the design is the concept of employing ‘off the shelf’ materials – hardware and parts,” said Shaffer. “We can’t spend time making parts from raw materials.”

Another factor that came into play is the needed ability to sanitize the BOOTH, which meant using materials such as aluminum, stainless steel, plastic and painted components that would stand up under sanitization without compromising the structure.

Shaffer constructed the structural frame and flooring for the test station – which measures 7 feet tall by 4 feet wide by 4 feet deep – using the tools and workspace in his garage.

“We all want to be safe and each of us has the moral obligation to contribute to this common goal whenever we can.” – José Duarte

While Shaffer was assembling the framework, Nate Watson, a master’s student in the Additive Manufacturing and Design program, was building the mechanical systems for the booth with remote guidance from Sven Bilén, head of SEDTAPP and professor of engineering design, electrical engineering and aerospace engineering. Watson was able to find all of the parts online with minimal custom fabrication needed and had them shipped to his home.

“The sanitizing mechanism feeds a sanitizing liquid from a reservoir through a pump, which distributes the liquid to four misting nozzles that are mounted in the corners of a plastic collection container,” explained Watson. “The nozzles are able to spray a thin but complete covering over the gloves to kill any potential viruses between users of the booth and the booth attendant is able to trigger the pump on and off using a foot pedal located inside of the booth.”

Since the team decided the BOOTH needs to be sealed completely in order to provide the most protection to health care workers, Watson also designed the system to regulate indoor air quality and temperature.

“Lack of access to our usual tools and prototyping facilities were probably the most challenging obstacles to overcome,” said Bilén. “Also, design is typically a fairly social process – and includes the building of physical prototypes together – but here, we had to be cognizant of social distancing guidelines.”

Once the framework and the electrical systems were complete, Shaffer and Watson staggered dropping their respective pieces off to a central collection site where Heilman got to work completing the structure.

According to Muthumanickam, designing the booth in a modular fashion, remotely and by different people, required the highest level of precision.

“The most challenging part was to coordinate such high-precision construction and fabrication details across multiple people working on various parts remotely,” he said. “There had to be little to no margin of error as even a small glitch, such as the wrong part being ordered or a simple assembly mistake being made, might take longer than usual to rectify due to [Gov. Tom Wolf’s ‘Stay-at-Home’] order and remote working conditions.”

The team relied on Skype, Microsoft Teams and Zoom for their design meetings, and cloud storage, like Box, for file and information exchanges. Advanced remote collaboration features, such as annotating a participant’s screen and being able to remotely control a participant’s screen, allowed the team to interactively modify the design during their review meetings.

While he missed the interaction of working through iterations in person with a team, Watson considers himself lucky to have been a part of this unique group effort.

“The whole project was very motivating, knowing that we were creating something that could help those on the front lines fighting for our own safety,” said Watson.

Once the prototype is tested, the team will be able to further tweak the design.

“We will be able to see if nurses should sit or stand, if the arms are placed in a comfortable way . . . as well as how much time nurses have in between doing tests that would inform the positing of their arms,” said Davis.

Duarte said he felt compelled to lead the project as both a researcher and a member of the community.

“We all want to be safe and each of us has the moral obligation to contribute to this common goal whenever we can,” he explained. “For most of us right now, this simply means complying with social distancing guidelines; however, as a research director at Penn State, it also means fulfilling the community outreach goal of the University so when the opportunity arose to help, I was immediately up for the challenge.”

Shaffer, who is also 3D printing face shields from his home, echoed Duarte’s thoughts and expanded on his own position.

“For many of us . . . design and architecture for populations in humanitarian crisis is a deep interest,” he said. “We are involved in architectural environments of scarcity and need – through our teaching, through the graduate students we advise and through our own research – but it is always at some distance because we are here, on a campus in the middle of Pennsylvania. But today, we are also that population, we are also in that environment; and luckily, we can respond, through our long-formed knowledge and through action.”

Pennsylvania State University

UNIVERSITY PARK, Pa. – Marcus Shaffer, associate professor of architecture, and two architecture graduate students in the Stuckeman School have joined the efforts of the worldwide additive manufacturing community in 3D printing face shields that could potentially be used by doctors, nurses and healthcare workers, who are on the front line of the COVID-19 pandemic.

Shaffer, along with the husband and wife team of Julio Diarte and Elena Vazquez, who are both doctoral students, are 3D printing the headbands and hand-cutting the shields from transparent sheets from their respective homes in State College. They are using the online guide created by architect Jenny Sabin, which Shaffer found when researching ways he could use 3D printing to help during the pandemic.

Sabin’s lab and the College of Architecture, Art, and Planning at Cornell University – where Sabin is the Arthur L. and Isabel B. Wiesenberger Professor in Architecture – are collaborating with other Cornell departments to address the need for personal protective equipment (PPE) at Weill Cornell Medical Center in an initiative called “Project PPE.”

Shaffer said he was compelled to help because he knows how design enriches all of our lives. “Many of my friends are artists, designers, architects . . . and this period of isolation has made clear how rich our lives are because we can be productive by making things that are beautiful, useful or both,” said Shaffer. “As a person who spent a significant time of my life as a designer working in New York City, I just felt compelled to turn my tools and machines toward potentially helping that city.”

Having lived in New York during the 9/11 attacks, Shaffer said that the feelings of loss and uncertainty, coupled with the city as a whole coming to a standstill back then, are still fresh in his memory.

“When I found Jenny Sabin’s website and Project PPE, I turned on the 3D printer in my little factory here at home and it literally has not stopped,” added Shaffer.

Diarte, one of Shaffer’s advisees, said he and Vazquez felt compelled to assist with the effort after reading about the MASC initiative at Penn State.

“Elena and I borrowed a 3D printer from the FORMAT Lab in the Stuckeman School to continue our research at home, so we figured, ‘why not print some headbands in the downtime when we’re not working?’” explained Diarte. “We take turns at home – one works on their research and the other prints – and then we switch.”

As of Thursday, Shaffer, Diarte and Vazquez had printed 70 headbands and the trio expects to print another 100 this week.

Pennsylvania State University

 

UNIVERSITY PARK, Pa. – Low Design Office (LOWDO), an architecture and integrative design studio that was cofounded by DK Osseo-Asare, assistant professor of architecture and engineering design at Penn State, has been named to Domus magazine’s 50 Best Architecture Firms in 2020 list.

This is the second year that the leading Italian design and architecture publication has released a “best of” list. The first edition, in 2019, focused on the 100 most important architecture practices in the world while this second edition, according to editors, “…identifies the world’s 50 most creative, interesting and promising emerging architecture practices.”

LOWDO was informally established in 2006 by Osseo-Asare and Ryan Bollom while they were classmates at the Harvard Graduate School of Design. The firm – which is based in Austin, Texas and Tema, Ghana – explores the links between sustainability, technology and geopolitics through its work.

Domus lauds LOWDO’s work for how “construction content and technology of buildings by interweaving into the warp and weft complex materials and systems” can advance sustainable design strategies through inventive approaches to building construction. The firm does this by considering “architecture as part of a dynamic and heterogeneous ecosystem” and for integrating solutions for ventilation, solar shading, livability and energy performance into new models of co-living.

The editorial board for the 2020 Domus list was comprised of experts including Wowo Ding, Luis Fernández-Galiano, Lesley Lokko, Rahul Mehrotra and Sarah M. Whiting. The board states that 50 selected firms “could lead [us] to thoughts on what our houses and cities can and should do to represent and improve a world whose dramatic fragility no longer eludes us.”

Florida Atlantic University

 

2020 Virtual Interiorities Symposium

Florida Atlantic University | School of Architecture
Fort Lauderdale,  Florida USA
October 17—18, 2020

Symposium Chairs
Dr. Shermeen Yousif | Florida Atlantic University
Dr. Vahid Vahdat | Washington State University

virtual interiorities offers a critical forum for presenting creative practices and scholarship of historical, theoretical, realized, and speculative work involving virtual reality, architecture, and design. More specifically, it promotes innovation in design theory, pedagogy, research, and practice. The symposium invites interdisciplinary research and collaborations that include, but are not limited to architecture, spatial design, interior architecture, interior design, landscape architecture, urban design, adaptive reuse, preservation, computer science, media studies, and the performing arts.

Suggested Themes:

  • VR as an Architectural Medium
  • Virtual Simulations
  • Virtualizing Architectural Research Methods
  • VR and Sustainability
  • Histories of Virtuality in Design
  • Theorizing Virtual Space
  • Virtual Reality and Architectural Pedagogy
  • Virtual Ecologies
  • Urban Virtualities
  • Interdisciplinary Collaborations

SUBMISSION INSTRUCTIONS

virtual interiorities accepts the following forms of scholarship:

  • Paper Presentations
  • Poster Presentations
  • Pecha Kucha Presentations
  • Virtual Projects/Installations

Submission Deadline: 23:59pm EST on June 28, 2020. For more info:

http://virtualinteriorities.org/

info@virtualinteriorities.org

ACSA108 Notice - A Message Regarding COVID-19

To the ACSA Membership:

I am writing to follow up our previous emails about the 108th ACSA Annual Meeting. The ACSA Board of Directors met online last week to review our plans regarding the COVID-19 pandemic and ways to help our member schools respond to their local conditions.

Virtual Format
Since we announced our decision to move the conference to an online format, the ACSA staff has been developing models for holding a virtual event that would preserve the dissemination of peer-reviewed content and other previously scheduled panel sessions.

Registration Fees
We will offer options for your registration fees, including a refund and the option to apply your fees to the virtual conference or a future conference.

We ask for your patience as we finalize our next steps. Thank you for your continued support, and we will be in touch as soon as possible.

Additional Resources Online
Last week ACSA held a series of open online conversations about pivoting to online learning. HERE is a link to find recordings of the sessions that took place as well as links for future discussions. We invite you to share these resources with colleagues.

Sincerely,
Rashida Ng, ACSA President


Message: March 7, 2020

To the ACSA Membership:

I am writing to inform you that the 108th ACSA Annual Meeting will not take place in San Diego next week. The Board of Directors reviewed public health data about the coronavirus and its impact on travel and our conference venues, and determined it would be an unacceptable risk to hold the conference and related activities at this time. We regret having to make this decision, but determined we must prioritize the health and safety of our conference attendees.

Recognizing the scholarly work that is shared throughout the conference is important and timely, we are exploring alternate options to deliver the conference content by virtual means. We will work with our staff and the Annual Meeting Committee to determine how best to do so over the next two weeks.

We will also revise our refund policy for conference registrations in light of these extraordinary circumstances. We ask for your patience as we finalize these details as quickly as possible.

What to do now.
If you are not going to travel to San Diego, please take steps to cancel or change your hotel reservation. The reservation policy for our conference hotel block requires 72 hours notice before arrival to avoid a penalty. Don’t forget to change your transportation arrangements. Many airlines are altering their cancellation and change fees.

We will continue to update you on our plans. We appreciate the feedback and support we have received so far and look forward to continuing to serve you in the future.

Sincerely,
Rashida Ng, ACSA President

 


Message: March 5, 2020

To the ACSA Membership:

As a follow up to our communication on February 27, we are contacting you about the 108th ACSA Annual Meeting. In light of the public health emergency declared by the governor of California, we have called a meeting of the ACSA Board of Directors tomorrow to discuss how best to proceed.

The health and safety of our conference attendees remain our primary concern.

We continue to review the facts from credible public health sources, such as the U.S. Centers for Disease Control, the San Diego County Government, and the State of California Department of Public Health. We are also collecting more information about travel restrictions and are exploring alternatives to deliver a meaningful scholarly meeting despite these unexpected circumstances.

Please continue to update us on any changes in how your university is managing travel, particularly travel within the United States, so we can follow that trend as well.

We will be in contact with you no later than Saturday with a further update.

Sincerely,
Rashida Ng, ACSA President

 


Message: February 27, 2020

To the ACSA Membership:

With the 108th ACSA Annual Meeting in San Diego two weeks away, we want to let you know that we are monitoring the outbreak of the novel coronavirus (COVID-19). The U.S. Centers for Disease Control and Prevention (CDC) says on its website that COVID-19 is a public health threat but “individual risk is dependent on exposure.” The immediate health risk is low to “the general American public, who are unlikely to be exposed to this virus at this time.”

We want you to know that the health and safety of our conference-goers are of paramount importance. We monitor the situation daily, using the CDC as our primary source of understanding about potential public health risks.

We will continue to communicate with you over the next two weeks about the situation. At the same time, we encourage you to monitor how your university is managing travel, particularly travel within the United States.

Please feel free to contact us with questions or feedback.

Sincerely,
Rashida Ng, ACSA President

Pennsylvania State University

UNIVERSITY PARK, Pa. – Felecia Davis, who has gained widespread recognition for her work designing lightweight textiles that change properties in response to their environment, is one of 10 architects, designers and artists that will be featured in an upcoming Museum of Modern Art (MoMA) show examining contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.

Opening Oct. 17, “Reconstructions: Architecture and Blackness in America” is described by organizers as “an investigation into the intersections of architecture, Blackness and anti–Black racism in the American context.” The exhibition will feature a series of 10 newly commissioned works that will, according to the MoMA “explore how people have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance and refusal.”

The show is the fourth iteration of the museum’s “Issues in Contemporary Architecture” series, which began in 2010. As with previous exhibitions in the series, community workshops and panel discussions will be held next spring that will delve into each contributor’s work.

An assistant professor of architecture and director of the Computational Textiles Lab (SOFTLAB) in the Stuckeman Center for Design Computing, Davis is developing textile systems for use in architecture that can sense and respond to the world around them through digital electronic programing and sensors. These systems can also be programmed by using the natural transformative quality of the material itself in connection with environmental cues, such as humidity, temperature and light.

The purpose of the textile systems – or “architextiles,” as they are referred to – is to use the responsiveness and sensual qualities of the material to communicate information or, in other words, to tell a story. An example of these systems are soft walls that elicit emotions from people in a space or to help a person who is not in touch with their emotions be able to communicate to a caretaker, doctor or nurse in non-verbal way.

Yolande Daniels, co-principal of Studio SUMO and a speaker in the Stuckeman School’s 2019-20 Lecture and Exhibit Series, will also be featured in the MoMA show.

“Reconstructions” will be on view from Oct. 17 through Jan. 18, 2021. More information can be found via the MoMA website.

University of New Mexico

The University of New Mexico’s School of Architecture and Planning has announced that the Tres Volcanes Collaborative Community School, by Jon Anderson Architecture has been selected as the winner of the 2020 Jeff Harnar Award for Contemporary Architecture. This innovative building is located on the west side of Albuquerque. Each year, the winner of this award receives $10,000.

The award ceremony was held on Friday, Feb. 28, at the UNM School of Architecture and Planning and included a lecture from Jury Chair Alberto Kalach.

The 2020 Jury included Alberto Kalach, Principal at Taller De Arquitectura “X”; Rafael Longaria, Professor of Architecture at University of Houston; Dale Rush, Principal at Hazelbaker Rush; Fransciso Uviña Contreras, Director of UNM Historic Preservation & Regionalism Graduate Certificate; and Emily Vogler, Assistant Professor of Landscape Architecture and Rhode Island School of Design.

For the third year, the awards ceremony also included the Jeff Harnar Awards for Unbuilt Design.

The recipient of the Jeff Harnar Award for Unbuilt Architecture was Ke Vaughn Harding, a recent graduate of the Master of Architecture at the University of New Mexico.  His design was entitled “Aguas Efimeras,” sited in Xochimillco, Mexico City. Harding received $250 for the award.

The recipient of the Jeff Harnar Award for Unbuilt Landscape Architecture was Ryan Franchak, a recent graduate of the Bachelor of Arts in Architecture, for his project “Reimagining the Griegos Drain,” sited in Albuquerque, NM. Franchak also received $250.

The Jeff Harnar Award for Contemporary Architecture, established by the Thornburg Charitable Foundation, is considered to be the most prestigious recognition for contemporary architectural design in New Mexico.

The Harnar awards and program are organized by John Quale, Chair of the UNM Department of Architecture, and sponsored by the Thornburg Foundation, who have supported the award since 2007. For more on the awards, please visit: http://www.jeffharnaraward.com/

 

University at Buffalo

Department of Architecture, University at Buffalo.

ACSA News February 2020.

Assistant Professor Julia Jamrozik received a 2020 ACSA Award. The JAE Best Article Award recognized her contribution ‘Growing up Modern – Oral History as Architectural Preservation’ as one of the best published works in the preceding academic year.

Professor Korydon Smith, Chair of Architecture, was a co-editor of Transforming Global Health: Interdisciplinary Challenges, Perspectives, and Strategies. The book, published by Springer in January 2020, is the first comprehensive text on global health to emphasize the role of the built environment. Keith Martin, executive director of the Consortium of Universities for Global Health, wrote the foreword. Pavani Ram, a physician and epidemiologist currently working with USAID, served as co-editor.

Associate Professor Hadas Steiner’s essay ‘Limbs of Nature’ was published in the catalogue for the exhibition Neri Oxman:Material Ecology’ which opened in February 2020 at the Museum of Modern Art in New York..

Associate Professor Beth Tauke is directing The Architecture + Education Program in Buffalo. The program enables UB students to work with local architects and public school teachers to assist students in math, science, history, art and technology within the Common Core Curriculum at five Buffalo Public Schools, raise awareness about design and foster appreciation of the built environment.