Pennsylvania State University
Co-founder of award-winning MOS studio to visit the Stuckeman School
UNIVERSITY PARK, Pa. — Hilary Sample, co-founder of the New York-based architecture and design studio MOS and a faculty member in the Graduate School of Architecture, Planning and Preservation at Columbia University, will present a Department of Architecture Kossman Lecture at 12 p.m. on March 30 in the Stuckeman Family Building Jury Space at Penn State.
Sample’s talk, titled “Houses, Schools, Studios, Housing…,” will also be live-streamed by WPSU as part of the Stuckeman School’s Lecture and Exhibit Series.
Established in 2003 by Sample and Michael Meredith, MOS has been recognized with major national and international awards including The Architectural League of New York’s 2008 Emerging Voices award, a Holcim Award in 2014, the 2015 Cooper Hewitt, Smithsonian Design Museum National Design Award in Architecture and the 2020 United States Artists Fellowship.
MOS undertakes projects diverse in scale and type, spanning throughout North America, Europe and Asia. Some of its most recent projects include a collective affordable housing residence in Washington, D.C. (2022); a photographer’s studio (2020); the Petite École in France, a public pavilion for teaching design to children (2019); a housing-focused education center at Laboratorio de Vivienda in Mexico (2018); and a complex of four art studios at the Krabbesholm School in Denmark (2012).
The practice has designed and developed two publications, “Everything All at Once, The Software, Architecture and Videos of MOS” (2013) and “MOS: Selected Works” (2016), and its work is held in the permanent collections of the Museum of Modern Art in New York, the Art Institute of Chicago, Harvard University’s Frances Loeb Library and Columbia University’s Butler Library.
At Columbia, Sample is the IDC Professor of Housing Design and sequence director of the core architecture studios. Prior to her appointment, she taught at the Harvard University Graduate School of Design, Yale School of Art and the University of Toronto. She has held the John G. Williams Teaching Chair at the University of Arkansas and the Reyner Banham Chair at the State University of Buffalo.
Sample’s 2016 book, titled “Maintenance Architecture,” was published by MIT Press.
She holds a bachelor of architecture from Syracuse University and a master of architecture from Princeton University.
The AASL Virtual Conference at Los Angeles
EMPOWER: A MESSAGE FROM THE PRESIDENT
AASL Column, March 2022
Lucy Campbell and Barbara Opar, column editors
Column by Jesse Vestermark, VP/President Elect of the Association of Architecture School Librarians, Architecture & Environmental Design Librarian, California Polytechnic State University
AASL will be meeting alongside ACSA in Los Angeles so we wanted to share details of our sessions. ACSA members are welcome to join us as time permits. All of our conference sessions will be hosted virtually this year.
The Association of Architecture School Librarians Conference Planning Task Force has worked diligently over this roller-coaster of a year to facilitate some wonderful and diverse virtual content for our conference this week: Empower.
This year’s ACSA-prompted theme of Empower, with its inherent emphasis on pro-activity, could not be a better fit for our times. While it’s perennially true that librarians empower through breaking down barriers to information, there are many more ways, both subtle and grand, to empower others on our way to a more sensitive and compassionate society.
As President-Elect, I have ideas for the coming year, and my hope for the conference is that our talks, tours, presentations, discussions and social activities will crystallize one or two tangible actions AASL and I can do to put opportunity, if not also money, towards empowerment. My personal belief is that our empowerment goals should go beyond diversifying local collections (as important as that is), to the ways we present ourselves to our global student bodies, to the tools we use to promote and discover our collections, and especially to building towards representation within our specialized profession so that it mirrors the racial make-up of the national and international communities we serve.
With all that in mind, here’s what to expect from Wednesday to Friday this week!
Day 1
On Wednesday, after a welcome and a few introductions, we’ll hear from Gail Kennard, the leader of LA’s longest-running black architectural firm. Then we move on to presentations on intersecting modalities, a virtual tour of the largest LGBTQ+ archive in the world, and a virtual tour of the works of LA’s most famous black architect, Paul R. Williams. Finally, we’ll finish the day with a mix of icebreakers, discussion and getting to know each other better at our Membership Round Robin.
Day 2
Thursday kicks off with a “zoom coffee” reflecting on silver linings of the last two years before launching into our next set of presentations surrounding the amplification of marginalized voices. Then, it’s on to our annual series of vendor showcases from our generous sponsors. After that, we’ve organized a discussion panel in hopes to assess the present and posit the future of our work in support of AASL’s commitment to anti-racism. And then we finish Day 2 off with a light-hearted game of team Jeopardy, hosted by our “Ministers of Fun” Nicole and David (a sequel to last year’s hit).
Day 3
Friday starts a little earlier with a different type of “em-power-ment”–that of the influence and aesthetics of electrical power across LA’s cityscape. Then, our last cluster of presentations centers on collections and collaboration before AASL President Nilda Sanchez-Rodriguez takes the stage to lead the Annual Membership Meeting. In our final virtual tour of the conference, Southern California Institute of Architecture Librarian Kevin McMahon shares about his institution, which turns 50 this year. Finally, we close things out with another loose “happy hour” session to wind down casually–but in style.
Please share my thanks to our Conference Planning Task Force, in which each member played a unique role in making this the conference you see in our program. Now it’s up to all of us to tap into the power of our small collective and imbue our three days together with discussion and reflection on issues of empowerment. Looking forward to seeing you all!
Jesse Vestermark, Chair, Conference Planning Task Force
Task Force Members:
Stephanie Beene
Lucy Campbell
Cathryn Copper
David Eifler
Janine Henri
Kevin McMahon
Nilda Sanchez-Rodriguez
Nicole Santiago
James Sobczak
Stacy Williams
Pennsylvania State University
Penn State to host architecture, interactive design, textiles virtual meeting
UNIVERSITY PARK, Pa. — Penn State is hosting the virtual 2022 Architecture, Interactive Design and Textiles (ArcInTex) Network Conference on April 7-8, which will examine the critical questions researchers, designers, creators and engineers face when thinking about places, ways of living and materials that make up our environment, particularly in a post-COVID-19 environment that is wrought with political, racial, and economic tensions.
Organized by Felecia Davis, associate professor of architecture in the Stuckeman School and director of the Computational Textiles Lab (SOFTLAB) in the Stuckeman Center for Design Computing, the conference has a theme of “Proposals for Other Worlds: Architectures, Materials, Interactions.”
The two-day event will feature keynote lectures by artist and TED speaker Janet Echleman and Sean Ahlquist of the Taubman College of Architecture and Urban Planning at the University of Michigan, as well as a meet-and-greet session, panel presentations and open discussions.
The conference will also feature a Ph.D. Forum, which will provide student researchers the opportunity to share and exhibit their projects online as well as exchange ideas with their counterparts from universities around the world.
“This is the first time that this international conference has been hosted in the United States and it’s important for the Stuckeman School because the ArcInTex meeting is one of the few places where researchers working in architecture connect with researchers working in textile and interaction design,” said Davis. “It is important for Penn State as a member of the ArcInTex network to help share the work that has been ongoing in the United States on this topic with a larger global community. The projects and works presented will be at different scales — from the micro scale of textile design to the macro — and will focus on the design of space and enclosure with textiles.”
Learn more about the event, which is free and open to the public, and register via the 2022 ArcInTex Network Conference website.
The ArcInTex Network is comprised of researchers and practitioners in architecture, interactive design and textiles who together develop ideas, techniques, methods and programs for new perspectives on design for building, dwelling and living. The network accomplishes this through joint research projects, joint applications for funding larger projects, exchange programs on the master’s and research levels, and holding joint conferences and workshop on emergent topics.
Pennsylvania State University
Founding principal of 3SIX0 Architecture to visit Penn State
UNIVERSITY PARK, Pa. — Christopher Bardt, founding principal of 3SIX0 Architecture and a professor of architecture at the Rhode Island School of Design (RISD), will speak at 6 p.m. on March 23 in the Stuckeman Family Building Jury Space on the University Park campus as part of the Stuckeman School’s Lecture and Exhibit Series.
Titled “Material and Mind,” Bardt’s lecture will focus on how materials guide the imagination and how their properties generate insights. The talk is cohosted by the Department of Architecture and will also be live-streamed by WPSU.
Bardt’s professional experience includes furniture design, residential, commercial and institutional commissions, and planning studies, ranging from small urban interventions to large-scale metropolitan development. In 2002, “Architecture Record” named 3SIX0 one of 10 leading vanguard firms worldwide. His research, drawings and artifacts based on the geometry of sunlight, materials, materiality and tectonics as critical to architectural making and thinking has been widely published and exhibited worldwide.
Bardt’s first book, titled “Material and Mind,” was published by MIT Press in 2019 and offers a cross-disciplinary investigation of how our engagement with materials and physical surroundings are formative of thought and imagination. He is currently working on a new book, “The Feeling of Space,” that aims to recover the physicality of space from its default isomorphic and Cartesian conceptualization.
Bardt joined the RISD faculty in 1988 where he teaches upper-level studios, the history and theory of projective geometry, architectural history and foundation courses. He has also led the development of the program’s drawing curriculum, which fuses digital and hand-drawn approaches to architectural drawing.
Bardt has been a visiting professor at Cornell University, the National Academy of Design and Art, and the China Academy of Art, and he has served on RISD Museum Board of Governors. In 2017, he was honored by RISD with a lifetime achievement award for his design work and inducted into the Rhode Island Design Hall of Fame.
Bardt holds a bachelor of architecture from RISD and a master of architecture from the Harvard University Graduate School of Design.
University of Arizona
Richärd Kennedy Fourth-Year Studio Prize at UArizona Focuses on Environmental Innovation and Water Consciousness Along Tucson’s Santa Cruz River
Built environment innovation. Water consciousness. These are the principles fourth-year University of Arizona students in the Bachelor of Architecture ARC 401 studio considered when crafting designs for a UArizona research center at the base of Sentinel Peak, along Tucson’s Santa Cruz River.
“One of the main challenges was balancing subtlety with being bold,” says Matthew Cullen, one of five Honor Award winners of the Fall 2021 Richärd Kennedy Fourth-Year Studio Prize. The prize totals $10,000 in awards and, since 2015, has been generously funded by Phoenix-based Richärd Kennedy Architects.
Students submitted their designs in two of five total categories: Architectural Narrative, Systems Integration, Urban Catalyst, Building Skin and User Experience. Their projects are set in the year 2030, aligning with UArizona’s mission to “engage with people through applied research and education to improve lives, families, communities, the environment and economies in Arizona and beyond.”
For Kaya Orona, whose heritage is Chihene Nde Chiricahua Apache, community gathering was a key driver to her design, which won the Architectural Narrative Honor Award and Urban Catalyst Honorable Mention. “With 17,900 square feet, 7 Generations is able to serve the community on many levels—as an educational center that allows for gatherings of all sizes, creating a node in the city for all to inhabit,” she says.
Wheelchair-bound for two years due to a chronic illness, Orona factored in the importance of accessibility. “The design started with the sloping of the site to a 1:20 ratio, which requires low physical effort to get across and is considered a universal design element that can be inhabited by anyone,” she says. “Since the site is currently a dirt cliff that connects to one side, I knew this was my first step.”
At the design’s full potential, Orona envisions native vegetation and wildlife flourishing around people. “I can see my Tata giving a talk on the importance of preserving heritages of Indigenous peoples or telling stories in this space,” she says.
Diego Limon’s resourceREVIVE, Honor Award winner for Systems Integration, tells the story of water scarcity within the Sonoran Desert. “It was challenging to investigate ways in which architecture can act as a catalyst for water conservation,” he says. “The task was to create an evident gesture that would promote a balance between the carbon footprint and climate solutions. This concept finds exciting and different ways to profit environmentally from the research facility. It taught me an important lesson in seeking the correct design for catering to the landscape.”
For Kavan Furukawa, whose work is usually focused on buildings rather than landscapes, this design was something new. “It was a fun task,” he says of Abundance, Urban Catalyst Honor Award winner. “One of the main challenges was the excavation process. But the design itself would benefit and expand the site’s ecosystem. Because of Tucson’s heavy monsoon season, the site is expected to receive large quantities of runoff. With this design, most of the runoff would be reclaimed and transferred to the water retention area, attracting growth of wild vegetation, giving life back to the Santa Cruz River.”
Cullen’s RUST, Honor Award winner in the Building Skin category, creates a seamless connection from the existing MSA Annex to the Santa Cruz River while highlighting architecture that promotes the importance of water in the desert. “My favorite aspect is the recycled enclosure,” says Cullen. “Showing a rusted metal enclosure around the project introduces water’s powerful effect at a single glance.”
Sourcing local recyclable materials helps the project achieve net-zero energy use. “The scrap metal from the yard at Davis-Monthan Air Force Base can be easily cut down to size and assembled onto the building for the enclosure,” he says. “The random assortment of materials inspires the rhythms and imprecise nature of the façade, which is beautiful.”
Jules Cervantes’ Consequence epitomized the goal of the User Experience category, for which it is the Honor Award winner. “It tells the story of water in the desert, a story of abundance as well as scarcity,” she says. “Users enter into a compressive state in the earth before continuing their descent through a canyonesque path into an enigmatic inner realm sheltered from the extreme desert sun—to experience a moment of wonder and discovery.”
“The acoustics of the running water echo through the canyon, guiding users in their descent,” she continues. “The sun dances across the outer scrims, tracking the movement of time and glistening in the reflections of water. The carved path persists downward, disintegrating into the natural contours of the river bank. In a final moment of release, users find themselves framed with the river. Exterior blends with interior, expansion becomes contraction, public combines with private, natural bleeds with built and once again there is the desert, and that only. The land lives with the consequence of water.”
“The Richärd Kennedy Fourth-Year Studio Prize process provides students with a stimulating opportunity to reflect upon three months of iterative work with fresh eyes,” says Michael Kothke, associate professor of practice and ARC 401 coordinator. “The process requires that the studio work be edited into a concise booklet format; with this, self-awareness and judgment become essential tools, as each student must discern and then commit to communicating key strengths in their schemes.”
Students were also guided by College of Architecture, Planning and Landscape Architecture instructors Laura Carr, Brian Farling, Brad Lang, Eric Sterner and Shawn Swisher.
“The educational benefit of this opportunity for design reflection is significant, rivaling the recognition and significant monetary awards afforded by the prize itself,” concludes Kothke. “It’s an honor for the ARC 401 studio to be supported through the prize and the inspired and generous work of Richärd Kennedy Architects.”
Winners were selected by a panel of three Canadian architects: Jana Macalik, associate professor, OCAD University, John Peterson, senior associate for sustainability and building innovation, MJMA Architecture & Design, and Steve McFarlane, principal, Office of McFarlane Biggar Architects + Designers.