Author(s): Erik Herrmann
The grid is arguably the most enduring and problematic emblem of modern optics and visualization. Since Alberti’s publication of de Pictura in 1435 the grid has been the dominant cultural device for translating the continuous, threedimensional world into discrete, flat compositions.
Volume Editors
Amir Ameri & Rebecca O'Neal Dagg
ISBN
978-1-944214-14-2
Founded in 1912 by 10 charter members, ACSA is an international association of architecture schools preparing future architects, designers, and change agents. Our membership includes all of the accredited professional degree programs in the United States and Canada, as well as international schools and 2- and 4-year programs. Together ACSA schools represent some 7,000 faculty educating more than 40,000 students.
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